
163 results where found for «The Apparition»
- Music piece by:Roberto Ternán
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, June 1976
- Tags:
- « We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
- [...]
- « People in the town call him Negro José »
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- Music piece by:Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
- Testimony by:Guillermo Orrego Valdebenito
- Experience in:
- Tags:
- « In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
- [...]
- « On the road, asleep »
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- Music piece by:Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « I sang this song, as a soloist, in the dressing rooms of the National Stadium. »
- [...]
- « Sweetheart. »
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- Music piece by:Sandro
- Testimony by:Nelly Andrade Alcaino
- Experience in:
- Tags:
- « The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
- [...]
- « Do you know how hard the war was? »
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- Music piece by:Violeta Parra
- Testimony by:Ernesto Parra Navarrete
- Experience in:Campamento de Prisioneros, Estadio Nacional, 9 November 1973
- Tags:
- « Run Run... On the big pitch, mild summer weather was in the air. »
- [...]
- « He'll come back for the birthday »
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- Music piece by:unknown
- Testimony by:Patricio Polanco
- Experience in:Campamento de Prisioneros de Pisagua, November 1973
- Tags:
- « In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
- [...]
- « and the sun of the future shines high »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « One of the most amazing experiences I had during my six months in the Puchuncaví Prison Camp was to see the metamorphosis of the barbed wire fence into a huge musical score. »
- [...]
- « The valley swallow has perched »
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- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
- [...]
- « Introduction by Ana María Jiménez: 'We are going to sing a song that for us, former prisoners, has great significance. This is 'Palabras para Julia,' a song with lyrics by José Agustín Goytisolo and music by Paco Ibáñez. It speaks of strength, love, resistance, and it became the anthem of the women of Tres Álamos. With it, we greeted those who arrived and said goodbye to those who were freed. With it, we remember and want to share it with you today.' »
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- Music piece by:Luis H. Profili
- Testimony by:Edgardo Carabantes Olivares
- Experience in:
- Tags:
- « Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
- [...]
- « let me love the way I know. »
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- Music piece by:text by Saint Thomas Aquinas; music by Lorenzo Perosi
- Testimony by:Roberto Navarrete
- Experience in:Cárcel de Santiago, November 1973 - April 1974