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187 results where found for «The Brief Space Where You Are Absent»
- Music piece by:Federico García Lorca (words), Paco Ibáñez (music)
- Testimony by:Luis Alfredo Muñoz González
- Experience in:Campamento de Prisioneros Cuatro Álamos, February - March 1975
- Tags:
- « According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
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- Music piece by:Nydia Caro and Ricardo Ceratto
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Calle Irán Nº 3037 / Venda Sexy / La Discotheque, 12 - 18 December 1974
- Tags:
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to
Nueva Canción , especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. »- [...]
- « I knew the song from before, maybe I had heard it somewhere, perhaps in a television series, I don’t remember well. But at the Venda, it had a different meaning: the guards would sing it, they would sneer, they would jeer at the situation we were in. So that stayed with me. It is possible that I have heard that song since. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
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- « This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
- [...]
- « Breadcrumbs (migas de pan): These were the raw material we used in the interrogation centres for sculpting little figurines. This activity was important to keep the prisoners' minds occupied. In situations of extreme solitary confinement, when all contact with the outside world had been cut off, prisoners used these figurines to build a tiny bridge of communication with their fellow prisoners. A person in solitary confinement would place the figurine where others could see it, leaving leave a sign life. »
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- Music piece by:Julio Numhauser, popularised by the band Amerindios
- Testimony by:José Selín Carrasco Vargas
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- « While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
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- Music piece by:René “Popeye” Cárdenas Eugenin
- Testimony by:María Soledad Ruiz Ovando
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
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- « We would sing right up until reaching the entrance of the place where the prisoners were held. The place I most remember is the Cochrane Navy barracks located by the Los Ciervos river. »
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- Music piece by:Arturo Dávalos
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January - February 1974
- Tags:
- « A salamanca is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the salamanca into a place where a coven of witches gathers. »
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- Music piece by:José Ángel Espinoza, aka Ferrusquillo
- Testimony by:Marcia Scantlebury
- Experience in:Campamento de Prisioneros Cuatro Álamos, June 1975
- Tags:
- « Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
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- « She told him that I had been severely tortured and that she feared for my life. The priest contacted my family, who until that moment had no idea where I was. »
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- Music piece by:Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
- Testimony by:Eduardo Ojeda
- Experience in:
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- « We arrived at Camp Compingin on Dawson Island on the afternoon of
11 September . We knew that we had been arrested that morning, and we knew nothing else yet. »- [...]
- « We were taken for forced labour to build Río Chico, the other detention camp on Dawson Island. José sang “Balderrama” over and over again. It has the verse “where will we end up if Balderrama closes”. This was the truth because none of us knew where we would end up. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
- [...]
- « Father Bartolomé opposed giving absolution to slave owners. Where was the Father Las Casas of Chile to refuse to absolve my torturers? »
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- « We arrived at Camp Compingin on Dawson Island on the afternoon of
- « I have never been a great music listener. Nevertheless, before the coup I used to listen to