452 results where found for «The Man Who Transformed into an Animal»


How We Resemble Each Other (En qué nos parecemos)

Music piece by:
Unknown. Popularised by Quilapayún
Testimony by:
Scarlett Mathieu
« In Cuatro Álamos, I was profoundly marked by the singing of a current detained-disappeared named Juan Chacón. He sang ‘En qué nos parecemos’, a love song from the Spanish Civil War. It remained engraved in me because that comrade disappeared from Cuatro Álamos. »
[...]
« These songs were very important and significant for all. I tried to remember the names of the people who sang them. »
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Moments (Los momentos)

Music piece by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Renato Alvarado Vidal
Experience in:
« During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
[...]
« The majority of inventions happened in arts and crafts. There were sculptures made from any imaginable materials. There were also drawings, paintings, songs and theatre works. This is hardly surprising with the number of artists and intellectuals in there who encouraged the participation of workers and farmers. »
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The Woman from Huillinco (La Huillincana)

Music piece by:
Liborio Bórquez Guzmán, popularised by Héctor Pavez
Testimony by:
Rubén Torres Ávila
« When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
[...]
« From the group of students, Susana, who was my girlfriend, danced with an inmate. This act was transgressive. »
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Swan Lake (El lago de los cisnes)

Music piece by:
Piotr Ilich Tchaikovski
Testimony by:
Carmen Espinoza Alegría
Experience in:
Colonia Dignidad, April 1975
« When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia. »
[...]
« Then, they began the interrogations. I remember there was a guard acting as a doctor who controlled how much electricity we could stand. »
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Thanks to Life (Gracias a la vida)

Music piece by:
Violeta Parra
Testimony by:
Felipe Chiang Martínez
Experience in:
« I was born in Vallenar, but I have lived in Copiapó practically all my life. At the age of 18, I started working in the mines and also began my political activity. »
[...]
« There was another prisoner who had a radio receiver. He and I would turn on both receivers at the same time and put a third prisoner on guard duty. When an officer appeared, we would turn off the radio receivers. We were never caught, but there was a non-commissioned officer in the Army who knew because one day he told us: ‘I'm not going to cause trouble for you, but be careful’. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« Furrowed brow, piercing gaze, ears alert to the message from his creative mind, translating the feelings of his soul into a melody, with the composure and determination to create beauty above and beyond the slander and betrayal, beyond the uncertainty of what tomorrow will bring. »
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How We Resemble Each Other (En qué nos parecemos)

Music piece by:
Unknown. Popularised by Quilapayún
Testimony by:
Luis Cifuentes Seves
Experience in:
« During the 1960s, the group Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp. »
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Dreams of my Imprisonment (Sueños de mi encierro)

Music piece by:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Experience in:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family. »
[...]
« This concern became a nightmare and led to these verses that turned into a song and filled the last page of my prison songbook, where I’d written down a number of ballads sung by other prisoners. »
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