156 results where found for «The Vargas War»


Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
« made his home in the cell of a prisoner. »
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Blue Eyes (Ojos azules)

Song by:
Manuel Casazola Huancco
Testimony by:
Luis Cifuentes Seves
Experience in:
« This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
[...]
« when there is nothing else to be done. »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
« In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
[...]
« Listen, brother »
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Today Was Visitors’ Day (Hoy fue día de visitas)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Visitors’ day was an exceptional day that broke the monotonous routine of all the other days of the week. »
[...]
« Today the teapot, the coffee and bread roll »
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How We Resemble Each Other (En qué nos parecemos)

Song by:
Unknown. Popularised by Quilapayún
Testimony by:
Luis Cifuentes Seves
Experience in:
« During the 1960s the band Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp. Whenever the military allowed us to do so, we would sing it in the locker rooms where we slept, and in the grandstands where we spent much of the day. »
[...]
« and I in the way I melt. »
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How Can I Describe This to You? (Cómo hacer para darte una idea)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This is one of two songs I wrote in prison for my beloved Graciela. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« and the desert, the desert of love »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« The monarch had a thousand enemies »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Song by:
Chicho Sánchez Ferlosio. Popularized by Quilapayún
Testimony by:
Claudio Melgarejo
Experience in:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
[...]
« The grass covering the roads »
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Free (Libre)

Song by:
Nino Bravo
Testimony by:
anónimo
Experience in:
« While waiting in the grandstands to be interrogated for the first, second or more times, we would sing 'Free' to those who were being lined up to be released. 'Free' was a catharsis, a mixture of joy for those who were going and hope for those of us left behind. Unfortunately, the dictatorship and its civil and military henchmen employed the song for their own propaganda. »
[...]
« but behind the cement is his home »
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Free (Libre)

Song by:
Nino Bravo
Testimony by:
Guillermo Orrego Valdebenito
« This song was performed in the Stadium grandstands by a worker from the Madeco factory: Peineta Vasquez, winner of a Song Festival that was organised at grassroots level, during the times when we were allowed to leave the spaces under the grandstands, inside the stadium,  to sunbathe, together with women from various countries, before they got sent off to the pool area. »
[...]
« but behind the cement is his home »
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