181 results where found for «The dance of those left behind»


Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
« In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
[...]
« This had been quite noticeable because there were many of us up there surrounding the gallery's handrails. It was our way of expressing our disapproval for this man who was on good terms with Chile’s criminal dictatorship. Then Iglesias left. »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Rogelio Felipe Castillo Acevedo
« We were forced to belt out these marching songs. »
[...]
« When they realised what was causing our lack of coordination, they left that comrade out of the marches. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« 'Se escucha muy lejos' (You Hear It from Far Away), was the title of the song. The lyrics and the music, driven by the instruments, gave life to a song that departed from the traditional music of the Chilean left of the time. »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
« Nobody could stop Augusto from suffering the same fate as thousands of left-wing Chilean militants. The bullet that killed him came from the gun of a Navy officer, who hours before had assured us that nothing would happen to the dog if we stopped him from crossing the fence and nosing around the Commander’s compound. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
anonymous
Experience in:
« I was detained in Panguipulli on 24 September 1973, along with 17 other young people. I was a high school student. I was also working at the forestry and logging company of Huilo Huilo, which had been taken over by the working class. »
[...]
« We were tortured for two or three days at the police station of Panguipulli. They left me unconscious. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
« The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« Let’s remember that Manuel Rodríguez was the first detained-disappeared of Chile. That left a profound impression, so you sang the song with passion, with that helplessness that you feel in the face of a tragedy that you cannot resolve. »
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A Million Friends (Un millón de amigos)

Music piece by:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately 23 other people. »
[...]
« The experience of being tortured with that song left a strong mark on me. The song was in fashion at that time. »
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Neither Fish nor Fowl (Ni chicha ni limoná)

Music piece by:
Víctor Jara
Testimony by:
Joaquín Vallejos
Experience in:
« I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. »
[...]
« and you who were always left behind »
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The Salamander (La salamanca)

Music piece by:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« A salamanca is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the salamanca into a place where a coven of witches gathers. »
[...]
« he dismounted from his horse and the dance began »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Music piece by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
[...]
« and to the dance floor the couple. »
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