174 results where found for «The dance of those left behind»


Blue Eyes (Ojos azules)

Music piece by:
Manuel Casazola Huancco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
« This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
[...]
« to love me for the rest of your life. »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Renato Alvarado Vidal
« Once upon a time, there was a good little wolf. … No. That’s another story. »
[...]
« to the song of joy »
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The Crux of the Matter (La madre del cordero)

Music piece by:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Experience in:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« roamed the whole of it »
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Today Was Visitors’ Day (Hoy fue día de visitas)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Visitors’ day was an exceptional day that broke the monotonous routine of all the other days of the week. »
[...]
« Today the teapot, the coffee and bread roll »
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How Can I Describe This to You? (Cómo hacer para darte una idea)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This is one of two songs I wrote in prison for my beloved Graciela. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« and the desert, the desert of love »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Music piece by:
Chicho Sánchez Ferlosio. Popularized by Quilapayún
Testimony by:
Claudio Melgarejo
Experience in:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
[...]
« The lords of the mine »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
[...]
« and by all the fauna of the sea. »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
[...]
« They are like the shine of golden copper »
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La López Pereyra

Music piece by:
Artidorio Cresseri
Testimony by:
Germán Larrabe
« This zamba was the first song we tried to perform in Puchuncaví, with a group made up of prisoners transferred from Chacabuco Detention Camp together with us, newly arrived 'puchuncas'. »
[...]
« I asked the loveliest of them »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« The paper boat sets off »
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