
194 results where found for «Today I Sing Just for the Sake of Singing»
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
- [...]
- « A week later we held a cultural event in the dining room to celebrate the happy event occurrence. On that day I finished writing my song 'The Black King' and I sang it for the first time for an audience comprised of political prisoners and soldiers. »
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- Music piece by:José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
- Testimony by:anonymous
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « While waiting in the grandstands to be interrogated for the first, second or more times, we would sing 'Free' to those who were being lined up to be released. 'Free' was a catharsis, a mixture of joy for those who were going and hope for those of us left behind. Unfortunately, the dictatorship and its civil and military henchmen employed the song for their own propaganda. »
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- Music piece by:All the women present at that moment in Chacabuco
- Testimony by:Mónica García Cuadra
- Experience in:Campamento de Prisioneros Chacabuco, Summer of 1974
- Tags:
- « I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
- [...]
- « From the guard tower, the order was given for the comrades to come, and they appeared behind the bars that separated our lives, but never our purpose and meaning in life. With heartache and streaming tears, several prisoners began to appear, as well as the love and silent solidarity that vibrated and pulsated through those moments waiting for, anticipating the embrace, the looking directly into his eyes, making contact with the loved one’s heart, the touch of skin against skin among equals. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
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- « The version I recorded for the album Documento includes an instrumental introduction, inspired by the tune of an anthem sung in a concentration camp in the first years of Nazism in Germany. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
- [...]
- « This had several advantages for the prisoner, for if they perched on a stool to peer through the skylight, they could enjoy the company of a good part of the city during their hours of confinement. »
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- Music piece by:Unknown
- Testimony by:anonymous
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
- Tags:
- « One time, a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. »
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- « Something very funny happened that stayed with me for the rest of my life. After the music finished one of the evangelicals asked: 'Who wants to receive Jesus Christ as their saviour?' One prisoner replied: 'but what if they put us in prison again?' »
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- Music piece by:The Turtles ('Elenore'), with new lyrics by Gianni Morandi
- Testimony by:Eduardo René Cuevas
- Experience in:Cárcel de Los Ángeles, September 1973
- Tags:
- « This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
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- Music piece by:Ángel Parra; text from the Gospel of Luke
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January - February 1974
- Tags:
- « This song is the third track on the cassette recorded in the Chacabuco concentration camp by the band Los de Chacabuco, formed by Ángel Parra and conducted by him until his release. »
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- « This song, like the Gospel of Luke, was performed by Los de Chacabuco during the masses offered by the chaplains for the benefit of both prisoners and soldiers. The narrator, as was the case for other religious pieces, was Antonio. »
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- Music piece by:Julio Numhauser
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, 1989-1990
- Tags:
- « My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
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- Music piece by:Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios
- Testimony by:Juan Carlos de Luján Peralta Aranguiz
- Experience in: