Cantos Cautivos
72 results where found for «Tonada del viejo amor»
- Music piece by:Collective creation
- Testimony by:Ignacio Puelma
- Experience in:Campamento de Prisoneros Ritoque, February 1975
- Tags:
- « The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
- [...]
- « That month in the summer of 1975, not so far off, the
Viña del Mar Song Festival was taking place. Our prison camp, resembling a coastal village, decided to follow suit. »- [Read full testimony]
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976
- Tags:
- « This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
- [...]
- « He guided my gaze to the distant Miraflores Alto hill, located in the neighbouring city of Viña del Mar, from whence Graciela would come to visit me with her warm gaiety, helping me to get through those times of hardship with joy and hope. »
- [Read full testimony]
- Music piece by:Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
- Testimony by:Carlos Muñoz
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 - 1976
- Tags:
- « A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of
‘El Yopo’ (also ‘Chopo’) , as is usual in popular culture. »- [...]
- « The song was well-known in Chile, as sung by Ángel and Isabel Parra, who called it 'Décimas del folklore venezolano' or 'Coplas Venezolanas'. It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
- [Read full testimony]
- Music piece by:Nicolás Guillén (lyrics) and Quilapayún (music)
- Testimony by:Domingo Lizama
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, 1973 - 1978
- Tags:
- « In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
- [...]
- « We sang them when we already knew that they would not kill us, after a visit from a delegation of the United Nations. »
- [Read full testimony]
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
- [...]
- « But Ñaca-Ñaca’s important role was more than that. The paper model was borrowed to perform the 'star role' in one of the cultural events we customarily staged every Friday. Events which, it should be pointed out, were attended only by captives and armed guards. It was a “Prisoners’ Show”, full of fantasy. »
- [Read full testimony]
- Music piece by:Clan 91
- Testimony by:Eduardo Ojeda
- Experience in:
- Tags:
- « We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
- [...]
- « It was really nice because when we returned to the barracks, we felt like true musicians. Peye wrote a song. I remember that he showed it to me. It was written with the
Viña del Mar Song Festival in mind. »- [Read full testimony]
Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974
- Tags:
- « When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
- [...]
- « As is widely known, many of the musical activities took place in prisons, in the concentration camps and in those places where prisoners were publicly acknowledged as such. »
- [Read full testimony]
- Music piece by:Patricio Manns
- Testimony by:Renato Alvarado
- Experience in:
- Tags:
- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the
Council of Elders . »- [...]
- « As luck would have it, the person who took delivery of the piece of paper was one of the few non-political prisoners. His name was Chico Pulento, a member of the long criminal dynasty of the Fuentes Cancino gang, specialized in illegal gambling. »
- [Read full testimony]
- Music piece by:Miguel Bosé
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- Tags:
- « I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
- [...]
- « Carolina Videla »
- [Read full testimony]
- Music piece by:Antônio Marcos. Popularised in Chile by Claudio Reyes
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the
- « A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of