121 results where found for «Volver a los diecisiete»


Anthem of Puchuncaví (Himno de Puchuncaví)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. The song was written so that every prisoner, regardless of political affiliation, could sing it. The only way to strengthen prisoners’ unity was to realise that all of us lived in the same conditions. »
[...]
« They search for lost streets, »
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I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)

Author:
Facundo Cabral, with lyrics modified by a political prisoner
Testimony by:
Alfonso Padilla Silva
Place & date:
« The choir of male prisoners sang a piece called “A mi compañera” (To my comrade, my love) to the music of “No soy de aquí, ni soy de allá” (I'm not from here, nor from there) by Facundo Cabral. I don’t remember who wrote the lyrics. But that’s how I wrote it down in one of the ten notebooks I used to copy songs during my imprisonment. »
[...]
« I like to always be lying close to you »
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An Old Love Tune (Tonada del viejo amor)

Author:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba* by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« Eduardo Falú and Jaime Dávalos »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Author:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Place & date:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. Personally, I remember the song “El breve espacio en que no estás” (“The brief space where you are absent”) because it sparked such heated debate among my comrades that you would think we were trying to resolve a vital political issue. »
[...]
« but comes close to what I »
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Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« than what I've lost. »
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The Wall (La muralla)

Author:
Nicolás Guillén (lyrics) and Quilapayún (music)
Testimony by:
Domingo Lizama
« In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
[...]
« - Close the gates! »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[...]
« He has lost that word, »
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They Say the Homeland Is - Soldier's Song

Author:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Place & date:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« Chicho Sánchez Ferlosio »
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The Little Fence (La rejita)

Author:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Place & date:
« Let’s get going, would say “the lizards”, as we called the policemen because they dress all in green. I looked and looked so I wouldn’t forget anything, because I didn’t know how many years I would be locked up for. I was emotional too: one gets frightened. Against the traffic, they turn the wheel. »
[...]
« open the little fence, don’t close it anymore. »
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The Little Fence (La rejita)

Author:
lyrics: collective creation; music: “Jálame la pitita” by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Place & date:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. On our departure and return, the female prisoners who remained behind also sang the song. The lyrics were a collective effort, it was like our anthem. It was fun and we really liked it. »
[...]
« open the little fence, don’t close it anymore. »
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