155 results where found for «Why the afternoon cries»


An Old Love Tune (Tonada del viejo amor)

Music piece by:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« in the sand you wrote to me »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Music piece by:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Detention in:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner, Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. »
[...]
« in the bed her silhouette »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Music piece by:
Pablo Milanés
Testimony by:
Pedro Mella Contreras
« In the Penitentiary, we listened to the song 'The Brief Space Where You Are Absent' on the radio stations Aurora and Nuevo Mundo. »
[...]
« in the bed her silhouette »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November – December 1973
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
[...]
« Glory to God in the highest »
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Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
[...]
« to La Guaira they’ll return »
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Lucía

Music piece by:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Detention in:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
[...]
« the most beautiful love story »
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Return, Return, Return (Volver, volver, volver)

Music piece by:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo sang tangos, including 'Volver' (Return) by Gardel and Le Pera. »
[...]
« I'm on the path to madness »
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Filistoque

Music piece by:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Detention in:
« Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
[...]
« the curfew caught me »
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A Finger-Picked Cueca from a Solidary Companion (Cueca punteada de un solidario)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. »
[...]
« the word solidarity? »
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They Say the Homeland Is - Soldiers

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Detention in:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« They say the homeland is »
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