204 results where found for «You Hear It Far Away»


Far Away (Tamo daleko)

Music piece by:
Djordje Marinkovic. Chilean adaptation of traditional Serbian song, originally composed in 1916.
Testimony by:
Jorge Grez Leuquén
« Working as a documentary film-maker for some years, I recorded the stories of some of the prisoners during the dictatorship. It was during some of these sessions that the song 'Tamo Daleko' reappeared; it had been sung numerous times on Dawson Island. »
[...]
« Far, far away »
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Far Away (Tamo daleko)

Music piece by:
Djordje Marinkovic. Chilean adaptation of traditional Serbian song, originally composed in 1916.
Testimony by:
Eduardo Ojeda
« At Compingin Camp on the island, Mario started telling us about the Spanish lyrics of the Yugoslav song 'Tamo daleko'. The song was not Croatian: it was Serbian. »
[...]
« Far, far away »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
« I’m so far away »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« I’m so far away »
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Gigi the Ladies’ Man (Gigi l’amoroso)

Music piece by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida.
Testimony by:
Eduardo René Cuevas
« This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
[...]
« And despite knowing he is far away »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« no matter how far away »
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The dance of those left behind

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« You heard the advice »
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Prayer So You Don

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« At Cuatro Álamos, Cecilia would ask to be taken to the bathroom and, taking advantage of being closer to the men’s cells, she would quietly sing the song from the window in the hope that Flavio would hear it and that he would then know she was alive, she was fine and she was thinking of him. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Amelia Negrón
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
« But the most important thing: from a corner of the court, also, you could see, sideways, the windows of Cuatro Álamos and our imprisoned comrades hanging their hands and feet out as far as they could between the window bars. Those in this pavilion would either become prisoners or become part of the long lines of comrades who are detained-disappeared to this day. »
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Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
[...]
« and Rosa took it away from me »
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