141 results where found for «You Will Pay (The Cigarette Smoke)»

Tacit Song (Canción tácita)

Music piece by:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Experience in:
Campamento de Prisioneros Chacabuco, Summer of 1974
Tags:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life, he is my sole reference point and, in essence, my image of masculinity. »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« Other versions of 'Doctorcitos', such as those you can find on YouTube (Festival de Oruro), have different melodies, although it is interesting to see the costumes used by the street pageants and the ridiculous attire they wear. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Marianella Ubilla
Experience in:
Campamento Prisioneros Estadio Regional, Christmas 1973
Tags:
« I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
[...]
« During the Christmas celebrations, we sang Nino Bravo’s 'Libre' (Free). At the same time, you could hear the National Anthem. »
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Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Experience in:
Cárcel de Santiago, November 1973 - April 1974
Tags:
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« Most of the choir members were much older than me. Its director was a political prisoner and had been a deacon in his youth. The choir sounded nice. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
Tags:
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« We were very all very sad and had tearful eyes. I told my fellow prisoners, 'I’m going to teach you to sing'. »
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To my Little Dove (A mi palomita)

Music piece by:
Teófilo Vargas Candia, popularised in Chile by the group Quilapayún
Testimony by:
David Quintana García
Experience in:
Cárcel de Rancagua, 1974 - 1975
Tags:
« On 10 September 1974, a folk band of Communist Youth activists arrived at the prison of Rancagua. They were arrested to prevent them from participating in the demonstrations and other acts against the dictatorship on 11 September through their role as musicians and activists. They were freed on the 12th. They were arrested again in September 1975. »
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I Come Back (Vuelvo)

Music piece by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« During our mateadas in the Prison of Santiago, we always talked about the song ‘Vuelvo’ (I Come Back). It gave you the hope of returning to the fight. The prison was only something temporary. »
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The Woman from Huillinco (La Huillincana)

Music piece by:
Liborio Bórquez Guzmán, popularised by Héctor Pavez
Testimony by:
Rubén Torres Ávila
Experience in:
Cárcel de Menores Blas Cañas / Centro de Reinserción Abierto Manuel Rodríguez, 1976
Tags:
« When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
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Swan Lake

Music piece by:
Piotr Ilich Tchaikovski
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
Tags:
« In Colonia Dignidad, they played Swan Lake by Tchaikovsky a lot. It was very repetitive. To several comrades, it reminds them of torture. It is not very enjoyable for us to listen to this piece at this life stage, because it transports us back to all the suffering, to what they did to us. »
[...]
« There were also voices that whispered things to us: ‘your girlfriend is here’, ‘you know other people’. You don’t forget these voices. »
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Song to the Pampa (Canto a la pampa)

Music piece by:
poem by Francisco Pezoa Astudillo set to music by Quilapayún
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Cuatro Álamos, February 1975
Tags:
« The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
[...]
« poem by Francisco Pezoa Astudillo set to music by Quilapayún »
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