Testimonies

The testimonies are sorted by publication date, showing the new ones first.
Click on to sort by witness, to sort alphabetically by musical piece title, or to sort by publication date.


Song of a Middling Man (Canción de un hombre medio)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that large sector of society supported the dictatorship and it was necessary to reverse that trend. It was not an active support but rather a passive support that involved laying low and finding an accommodation with the dictatorship. »
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Published on: 23 September 2015


Future (Futuro)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« The dream of the political prisoner was to regain freedom. All of us would feel joy when one of us was about to be released from prison, although it far from easy to see a comrade depart. Even less so for those who suspected they would never enjoy that privilege. »
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Published on: 23 September 2015


Song of the Seed and the Plant (Canción de la semilla y la planta)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« History of the seed and the plant, of which this song forms part, was performed as a play to entertain our audience of children during a family visit to the prison. Imagination had no limits when it came to kindling a small flame of hope in our hearts. »
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Published on: 23 September 2015


A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. »
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Published on: 23 September 2015


Love (Amor)

Author:
Sergio Vesely (music); Guillermo Núñez (lyrics)
Testimony by:
Sergio Vesely
« This song is based on a poem Guillermo wrote in the Puchuncaví Prison Camp dedicated to his partner Soledad. Of all the songs I composed as a prisoner, this is the only one where the lyrics are not mine. The reason is very human and simple. »
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Published on: 23 September 2015


Three Indian Songs (Tres canciones indias)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
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Published on: 23 September 2015


The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. I presume I don’t have to explain who is one experiencing the metamorphosis here. »
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Published on: 23 September 2015


Priests and Soldiers (Curas y milicos)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. Every day there were classes to learn foreign languages, art, medicine or literature. Solar ovens were built. »
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Published on: 23 September 2015


Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, who I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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Published on: 23 September 2015


King Ñaca Ñaca (El rey Ñaca Ñaca)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« “Ñaca-ñaca” was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might crossed our minds. That may be why it seemed the ideal name to give to the papier maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
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Published on: 23 September 2015