About the Project

“Los de Chacabuco”, a group created and directed by Ángel Parra. Chacabuco concentration camp

Cantos Cautivos (Captive Songs) is a digital platform that compiles testimonies of musical experiences in political detention and torture centres in Chile under the Pinochet dictatorship, from clandestine chambers and concentration camps to police stations and jails.

Praised as an “extraordinary digital archive” by Alex Ross (critic of The New Yorker), our project seeks to contribute to the historical memory of the dictatorship and to debates on human rights in other historical and geographical contexts.

Developed initially in collaboration with the Museum of Memory and Human Rights (Santiago, Chile), the project was conceptualised by Katia Chornik as part of her post-doctorate at the University of Manchester in 2013-16.

The platform has 152 testimonies, of which 52 refer to songs fully or partially created in detention. To see the testimonies, click here.

Materials from our project formed part of the British Museum’s I Object, Ian Hislop's search for dissent exhibition (2018-19), which explored ways in which human beings have subverted concepts of authority for over three millennia.

To collect materials, we combine online crowdsourcing and edited transcriptions of oral testimonies obtained via interviews and events.

The ideas expressed in the exhibited materials are the responsibility of their authors and do not necessarily represent the views of the project team.

Cantos Cautivos is a not-for-profit project and adheres to the ethics statements of the Society for Ethnomusicology and the British Forum for Ethnomusicology.

We are grateful to those who have shared their stories, and to the following people: Nayive Ananías, Sergio Araya, Miguel Ángel Bravo, Luis Cifuentes, Rodrigo Cifuentes, Marcelo Coulon, Pascal Coulon, Felipe Farías Pereira, Aitor Fernández, Laura Jordán, Julio Laks, Rosa Marks, Héctor Muñoz Cantos, Ernesto Parra, Thomas Schmidt and Marcos Stuardo.


Team

Dr Katia Chornik, director and editor
Hernán Theiler, software design and development
Dr Núria Bonet, sub-editor
Roberto Riveros, documentary maker

Advisory Board

Dr Aquiles Alencar Brayner (Directorate of Historical Documentation, Brazil)
Prof Caroline Bithell (University of Manchester)
Prof Suzanne Cusick (New York University)
Daniel Díaz Vera (University of Manchester)
Tom Hockenhull (British Museum)
Dr Rosalía Martínez (Université Paris 8)
Dr Alicia Salomone (Universidad de Chile)
Ed Vulliamy (The Observer / The Guardian)


This project has received funding from: