National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975

The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall.

We would arrive marching and singing military songs to the place where the flagpole was located and, when the order was given, it was our duty to sing the National Anthem.

This was unpleasant in itself because no prisoner would have wanted to have anthems in common with those people.

But, looking at it with different eyes, it also was amusing, because it gave us another chance to sing at the top of our voices the line that goes: “Que o la tumba serás de los libres, o el asilo contra la opresión” (May you be the grave of the free or the refuge from oppression).

We greatly enjoyed placing great emphasis on that part of the song. It must have been the only act of open subversion that the military could never punish us for, even though surely many must have wanted to.

It would have been hard for a rank-and-file soldier to justify mistreating political prisoners to his boss for an enthusiastic rendition of the National Anthem.


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Published on: 25 September 2015

Pure, Chile, is your blue sky
pure breezes cross over you too
and your field of embroidered flowers
is the happy copy of Eden.

Majestic is the white mountain
that the Lord gave you for bulwark
and that sea that serenely bathes you
promises the splendour to come.

[Your names, courageous soldiers
who have been the pillar of Chile
are engraved on our breasts
our children will know it too.]The Pinochet regime reinstated this stanza, which had previously been in disuse for a long time. It was removed again when democracy was restored in 1990.

Sweet Fatherland, receive the vows
which Chileans swore on your altar.
May you be the tomb of the free
or their refuge against oppression.




Related testimonies:

  • Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)  Sergio Vesely, Campamento de Prisioneros Melinka, Puchuncaví, 1975

    Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp.

  • Ode to Joy (Himno a la alegría)  Luis Madariaga, Cárcel de Valparaíso, 1974 - 1976

    In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile.

  • The Crux of the Matter (La madre del cordero)  Servando Becerra Poblete, Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974

    I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.

  • The Crux of the Matter (La madre del cordero)  Servando Becerra Poblete, Campamento de Prisioneros, Estadio Nacional, 9 November 1973 - 10 November 1974

    I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.

  • Today Was Visitors’ Day (Hoy fue día de visitas)  Sergio Vesely, Cárcel de Valparaíso, 1976

    Visitors’ day was an exceptional day that broke the monotonous routine of all the other days of the week.

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