The Woman from Huillinco (La Huillincana)
When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates.
The group played the
After the show, one of the prisoners offered to sing the cumbia ‘Cortando caña’ a cappella: ‘Cutting cane, buddy, I spend my life.’
From the group of students, Susana, who was my girlfriend, danced with an inmate. This act was transgressive.
Years late, as a political prisoner in the Cárcel Pública de Santiago, I listened to the pitiful and religious chant of the evangelicals.
Tags:
Published on: 18 June 2022
the women from Huillinco
oh boy, how I like
the women from Huillinco.
Who kiss in the afternoons
and in the mornings
who kiss in the afternoons
and in the mornings.
And in the mornings, my soul
and very early
and in the mornings, my soul
and very early.
And when I find them
the best of the best
and when I find them
the best of the best.
The best of the best, my soul
her little boat
the best of the best, my soul
her little boat.
They kiss the boys
in the shade
they kiss the boys
in the shade.
And let’s go to Chindo’s
it’ll be a bliss.
Testimonies from the Cantos Cautivos platform can be cited and shared as long as they are attributed (including the author, our project’s name and URL), for non-commercial purposes and without modifications, as per the Attribution-NonCommercial-NoDerivatives Creative Commons licence (CC BY-NC-ND 4.0). Authorisation is required for 1) any reuse different from citations and sharing via the CC BY-NC-ND 4.0 license of the platform data and its associated metadata, and 2) any use in events, concerts, plays, films, etc., of musical works written or recorded by project participants. To that end, we request that you send a proposal at least one month in advance to contact@cantoscautivos.org. For uses of musical works written or recorded by people outside the project, please contact copyright holders.