Cantos Cautivos
Swan Lake (El lago de los cisnes)
- Music piece by:Piotr Ilich Tchaikovski
- Testimony by:César Montiel
- Experience in:Colonia Dignidad, April 1975
In Colonia Dignidad, they played Swan Lake by
In Colonia Dignidad, we heard voices that were different from those we were used to. They were voices with foreign accents, with a German accent. They were authoritarian voices that told the torturers what to do. It is one of the things that confirm to my partner and me that we were there.
There were also voices that whispered things to us: ‘your girlfriend is here’, ‘you know other people’. You don’t forget these voices.
There was a continuous noise from a turbine. This turbine did not serve to produce energy, but to drown out screams, so the tortures could not be heard.
I’m still psychologically troubled because of the uncertainty we faced.
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Published on: 18 June 2022
Related testimonies:
- Under my Skin (A flor de piel) Carmen Espinoza Alegría, Colonia Dignidad, April 1975
I’m from Talca. I met César, my comrade, my love, in 1971 or 1972, approximately. We were young idealists, we were members of Juventudes Comunistas, and were student leaders in our secondary schools.
- Under my Skin (A flor de piel) César Montiel, Colonia Dignidad, April 1975
At the beginning of the 1970s, I met Carmen, my comrade, my love, at the Juventudes Comunistas of Talca. We had the life of young idealists, sharing our everyday, living this revolutionary process so beautifully.
- Trim the Sails (Brazas a ceñir) César Montiel, Campamento de Prisioneros Melinka, Puchuncaví, 1975
The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs.
- Swan Lake (El lago de los cisnes) Carmen Espinoza Alegría, Colonia Dignidad, April 1975
When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia.
- El bimbó César Montiel, Colonia Dignidad, April 1975
I have a story about 'El bimbó', a song that shaped us in those difficult moments in Colonia Dignidad. It was a song with a tropical rhythm that was very trendy in the 1970s. It was played every day on the radio. Also on Eurovision, in European festivals, and on the TV programme
300 Million .
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