
Chacabuco Mass (Misa chacabucana)
- Music piece by:Ángel Parra and Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January - February 1974
This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor.
The Chacabuco Mass consists of eight songs: four by Ángel Parra, composed in the camp, and four by Ariel Ramírez from his Misa Criolla (Creole Mass) recorded by
These songs, as well as those from the Gospel of St Luke and the St John Passion, were performed by Los de Chacabuco in the masses celebrated by the chaplains for the benefit of the prisoners and the military.
It is interesting to note that Ángel was the only truly religious member in Los de Chacabuco. Nevertheless, the other members joined him enthusiastically and respectfully in singing these songs, essentially as a way of acknowledging the attitude of the Army chaplain Varela, who always treated the prisoners with great respect and solidarity.
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Published on: 13 November 2015
Clandestine recording made by political prisoners in Chacabuco in 1974.
Related testimonies:
- Blue Eyes (Ojos azules) Luis Cifuentes Seves, Campamento de Prisioneros Chacabuco, January – February 1974
This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015.
- The Crux of the Matter (La madre del cordero) Servando Becerra Poblete, Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.
- The Crux of the Matter (La madre del cordero) Servando Becerra Poblete, Campamento de Prisioneros, Estadio Nacional, 9 November 1973 - 10 November 1974
I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners.
- How We Resemble Each Other (En qué nos parecemos) Luis Cifuentes Seves, Campamento de Prisioneros, Estadio Nacional, September - November 1973
During the 1960s, the group Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium, which had been converted into a concentration, torture and extermination camp.
- Chacabuco’s Soul (Alma de Chacabuco) Luis Cifuentes Seves, Campamento de Prisioneros Chacabuco, November - December 1973
This is the original version of a composition by Ángel Parra at Chacabuco, as secretly recorded at the prison camp during his farewell concert. The composer’s voice can be heard.
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