Cantos Cautivos
6 results where found for «Ariel Ramírez»
- Music piece by:Ángel Parra and Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January - February 1974
- Tags:
- « This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
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- « Ángel Parra and Ariel Ramírez »
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- Music piece by:Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
- Testimony by:Sergio Vesely
- Experience in:Villa Grimaldi, January 1975
- Tags:
- « It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
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- « Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa. »
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- Music piece by:Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November – December 1973
- Tags:
- « As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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- « Ariel Ramírez »
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- Music piece by:Attributed to Charles Albert Tindley
- Testimony by:Alfonso Padilla Silva
- Experience in:Cárcel de Concepción / Cárcel El Manzano, December 1974
- Tags:
- « When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
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- « On that occasion, our newly formed band (without a name) performed the following programme: 'Soy del pueblo' ('I Am of the People') by Carlos Puebla; 'El aparecido' ('The Apparition') by Víctor Jara; 'Los pueblos americanos' ('The American Peoples') by Violeta Parra; 'Vamos a Serchil' ('Let's Go to Serchil') by the Guatemalan Leopoldo Ramírez; 'Del Norte vengo, Maruca' ('I Come from the North, Maruca') by Ángel Parra (although some people say it was written by his mother); 'Villancico nortino' ('Northern Christmas Carol'), a traditional song; and finally 'We Shall Overcome', written between 1950 and 1960 in the United States within the context of the Afro-American civil rights movement. »
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- Music piece by:Spanish version of 'Makhnovtchina', attributed to Ukranian anarchist Nestor Makhno, based on anonymous Russian melody.
- Testimony by:Julio Laks Feller
- Experience in:Recinto DINA, José Domingo Cañas Nº 1367, September 1974
- Tags:
- « In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
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- « Salinas, Ariel »
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Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974