Our latest talks
'Music and Political Democratisation in Late Twentieth Century' study day, Univ. of Huddersfield, Nov 2020
Conference of the Sociedad Chilena de Musicología, UMCE, Santiago, Jan 2020
Univ. of Liverpool, Nov 2019
Univ. of Oxford, May 2019
International conference 'Soundscapes of Trauma: Music, Violence, Therapy', Athens, May 2019
El País newspaper features Cantos Cautivos
How a comedian became the centre of a controversy involving Pinochet, the victims of his repression, a dead man trying to jump the Berlin Wall, and a ruined singer. Read the article and listen to the podcast.
Interview on CBC/Radio-Canada
In November 2019, CBC broadcast a programme on the soundtrack of protests in Chile, during the current uprising and also in political detention centres during the dictatorship. Listen to it here.
The Oxford Research Encyclopedia highlights Cantos Cautivos
An entry on digital resources by Danielle Barefoot notes that our project "serves as a sonic living-museum and offers essential content for survivors, researchers, and teachers." Read it here.
Short Video Tamo Daleko (Punta Arenas / Dawson Island, 2018)
Part of the Fragments of Memory series of the Central Univ. of Chile's Audiovisual Laboratory, this video explores the song “Tamo Daleko”, adapted and used as a symbol of resistance by political prisoners. Watch the video here and see other testimonies about “Tamo Daleko” in Cantos Cautivos.
Ed Vulliamy launches his book, When Words Fail: A Life with Music, War and Peace
The author, journalist of The Guardian and The Observer, with his band at the launch in London in Sept 2018. The book contains a chapter on Cantos Cautivos. Photo: Daniel Díaz.
Cantos Cautivos at the British Museum
The British Museum's exhibition I Object, Ian Hislop's search for dissent (Sept 2018-Jan 2019) included the recording of
"Doctorcitos", collected by the Cantos Cautivos team.
Reconstruction of "Filistoque's Cueca", written by Víctor Canto in Chacabuco concentration camp
Forty-four years later, the work has been reconstructed and recorded for the first time by the group MACOMBA,
directed by Marcelo Coulon (Inti-Illimani) and formed in honour of the detained-disappeared Marcelo Concha Bascuñán,
who was interned in Chacabuco. Listen to the recording and read the testimony here.
Cantos Cautivos: music, education and technology for human rights.
Panel on the roles of music as an educational resource to address memory and human rights topics, and on the use of internet technology as a tool for dissemination, exchange and research.
August 2018, Museum of Memory and Human Rights, Santiago, Chile.