5 results where found for «Quena cautiva»


Captive Quena (Quena cautiva)

Music piece by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Detention in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
« Captive Quena (Quena cautiva) »
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Little Doctors (Doctorcitos)

Music piece by:
Unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« We arranged it as an instrumental tune, with no lyrics. Ricardo played impressive solos on the quena and the melody was accompanied by the rhythmic movements of the band members, something that was an innovation in our performances. Other instruments in use were guitar and charango. »
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Blue Eyes (Ojos azules)

Music piece by:
Manuel Casazola Huancco
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, January – February 1974
« This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
[...]
« The quena was played by Ricardo Yocelewski and the charango by Luis Cifuentes. »
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Little Doctors (Doctorcitos)

Music piece by:
Unknown. Folk tune from the Andes highlands
Testimony by:
Guillermo Orrego
« In 1974 - I don’t quite remember the month - the Chacabuco Olympics were held. The opening ceremony consisted of symbolically carrying the Olympic torch through the concentration camp. »
[...]
« The march was accompanied by the sounds of the quena played by Ricardo Yocelevsky, a former member of the group Los Curacas. I remember the song as a taquirari from Los Chaskas, a Bolivian group that performed at the Viña del Mar Festival on one occasion. »
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Cantata Santa María de Iquique - Prelude

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
« I learnt the work by heart and we rehearsed as it is customary for popular musicians: I taught every part, every melodic line of the quena , every harmonic accompaniment, strumming and bombo rhythms, through repetition. Everyone learnt their part by heart, by the way. »
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