10 results where found for «Amalia Rosa»


Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
[...]
« Amalia, Amalia Rosa »
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Prayer So You Don

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Detention in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« The songs were part of our leftist musical culture: protest and political songs, the inevitable boleros and other Mexican songs that Amalia would sing in her low, deep voice. »
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The Crux of the Matter (La madre del cordero)

Music piece by:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Detention in:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« the young lady Rosa was about to return »
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For the Guy Who's Leaving

Music piece by:
Alfredo Zitarrosa
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November – April 1974
« Marcelo Concha Bascuñán, a member of the Los de Chacabuco band, was a young man of great charisma and personal skills. He had been a swimming champion and was an outstanding guitarist and singer. »
[...]
« Alfredo Zitarrosa »
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Gigi the Ladies’ Man (Gigi l’amoroso)

Music piece by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida.
Testimony by:
Eduardo René Cuevas
« This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
[...]
« Rosalina feels that »
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Shadows (Sombras)

Music piece by:
Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios.
Testimony by:
Juan Carlos de Luján Peralta Aranguiz
« I arrived in this place as a war prisoner when I was 16 years old. »
[...]
« Rosario Sansores and Carlos Brito Benavides. Popularised in Chile by Lucho Barrios. »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Detention in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« They began dragging him, and as they passed our room, Rosalía began to quietly sing 'Por llanuras y montañas...' ('Through valleys and over hills'). It was a way to speak to him and to try to give him strength; to tell him we were there and that we were accompanying him. In a sense, it was really his song. We had sung it together many times. »
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A Million Friends (Un millón de amigos)

Music piece by:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately 23 other people. »
[...]
« Recinto CNI calle Pérez Rosales 764, Valdivia »
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Recinto: Retén de Carabineros Santa Rosa, Temuco
There are no testimonies about this detention centre.
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Recinto: Recinto CNI calle Pérez Rosales 764, Valdivia
There are 1 testimonies about this detention centre.
If you had a musical experience about this detention centre, please share it here!