19 results where found for «A Million Friends»


A Million Friends (Un millón de amigos)

Author:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately twenty-three other people. »
[...]
« I want to have a million friends »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, who I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
[...]
« I became good friends with a captain, »
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A Cocky Fellow (El puntúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« I’ve already made friends »
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Neither Fish nor Fowl (Ni chicha ni limoná)

Author:
Víctor Jara
Testimony by:
Joaquín Vallejos
Place & date:
« I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. My friend had nothing to do with politics; he just wanted peace and freedom. He was a hippie and very committed to helping those in need. The two of us were held in the Silva Palma barracks, but the interrogations and torture sessions were at the Naval War Academy in Valparaíso. »
[...]
« shelter, bread and friendship »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Author:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularized by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed; and another theatre that was inside the concentration camp. At the latter venue, every Sunday night at about 8 o’clock, a show was performed with the sole participation of the political prisoners and in the presence of the camp’s guards, and at the express invitation of the Council of Elders, a body that represented the comrades in captivity. »
[...]
« that friendship and love »
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Words for Julia (Palabras para Julia)

Author:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Place & date:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976 until Tres Álamos was closed on 28 November 1976
« There were so many of us women prisoners. Despite the circumstances we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. One might think we were ambitious women, and yes, we certainly were. Most of us remain so, and surely will continue to be until the end. »
[...]
« you’ll have friends, you’ll have love, »
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Candombe for José (Candombe para José)

Author:
Roberto Ternán
Testimony by:
Sara De Witt
Place & date:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« Most of the women were leaving, producing a great commotion as they gathered their belongings and prepared to enter a new stage in their lives. Those of us who were to stay behind tried to help, which in my particular case was not very productive. We had mixed feelings: disbelief, sadness, and also joy for the friends who were leaving. But I also felt disappointed and frustrated, since I and twelve other women were staying behind in prison. I thought of my mother’s pain when she would ask me once again: “What is it that you did, Sarita?" She never understood nor could she accept that in Chile people were being arrested, tortured and murdered for thinking differently. »
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Ode to Joy (Himno a la alegría)

Author:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Place & date:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. I’m not sure whether it was our idea or whether the men had proposed it. That detail is irrelevant now. »
[...]
« We ate, washed the dishes, and smartened ourselves up a bit – not too much, not as we did to receive visitors, when we had to be beautiful and healthy for our families, partners, children and friends. We absolutely could not allow ourselves to be depressed; we were so happy on those few visit days. We would be able to touch them, smell them, hug them, give them our affection, give them the gifts we had made for them, hear news, the latest rumours about releases from prison. There were so many things we wanted to do with them and the time together would be so brief! »
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Tacit Song (Canción tácita)

Author:
All the women present at that moment in Chacabuco
Testimony by:
Mónica García Cuadra
Place & date:
« I am the daughter of a former political prisoner who spent a long time imprisoned at Chacabuco, among other places. I am Monica, a little 9-year-old girl who travelled with a heavy heart full of sadness to visit her father, Gerardo García Salas, held at the Chacabuco concentration camp. I am an only child and in my young life he is my sole reference point and, in essence, my image of masculinity. »
[...]
« The song that finally sealed that profound reunion was a “tacit song” written by all the women present at that moment, while the men held their fists high, eyes gazing straight ahead, firm, expectant, and trembling behind the fence, observing how their daughters, wives, girl friends, sisters, mothers - their women- took flight with their own fists held high, wails suppressed in their throats. »
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Little Doctors (Doctorcitos)

Author:
Unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« The most important thing for us when we were rehearsing and recording was the memory of our great and admired friend Marcelo Concha: we did it as a homage to him. It was a labour of friendship and respect. »
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