14 results where found for «Pedro Mella Contreras»


A Million Friends (Un millón de amigos)

Author:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately twenty-three other people. »
[...]
« Pedro Mella Contreras »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Author:
Pablo Milanés
Testimony by:
Pedro Mella Contreras
« In the Penitentiary, we listened to the song “The Brief Space Where You Are Absent” on the radio stations Aurora and Nuevo Mundo. »
[...]
« Pedro Mella Contreras »
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The Apparition (El aparecido)

Author:
Víctor Jara
Testimony by:
Pedro Mella Contreras
« When they took me out to physiotherapy treatment, I sang some verses of the song ‘The Apparition’ loudly: »
[...]
« Pedro Mella Contreras »
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The Letter (La carta)

Author:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« When solitary confinement was lifted in January 1987 and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« Pedro Mella Contreras »
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Today I Sing for the Sake of Singing (Hoy canto por cantar)

Author:
Nydia Caro and Riccardo Cerratto
Testimony by:
Beatriz Bataszew Contreras
Place & date:
« I have never been a great music listener. Nevertheless, before the coup I used to listen to Nueva Canción, especially Quilapayún and Rolando Alarcón. I also liked cumbias, to fool around. We would dance and have fun. On the other hand, and this is more due to my family, I have always liked classical music, particularly Tchaikovsky. It stirs important things in me. It moves me. »
[...]
« Beatriz Bataszew Contreras »
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Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« Beatriz Bataszew Contreras »
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Las mañanitas

Author:
Manuel M. Ponce
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Normally we would sing when they locked us up in the barracks, from seven or eight at night until eight or nine in the morning. Sometimes the guards would come in but didn’t stay. It was our act. »
[...]
« Beatriz Bataszew Contreras »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Author:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada song* recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. That afternoon of 11 September 1973, I was at school marking some music tests. After a while I heard a very loud bang on the door and went to open it at once. It was the police. »
[...]
« Pedro Humire Loredo »
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You Hear It Far Away (Se escucha muy lejos)

Author:
Collective creation
Testimony by:
Ignacio Puelma
Place & date:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as gift by the ocean. Gone were the torture centres, the cruellest torments seemed distant, and that perception helped us to reconstruct ourselves. Ritoque, Puchuncaví, Tres Álamos and other mass prisoner centres were seething places of activity. Despite the shortcomings and the actual fact of being in prison, movement was gushing from everywhere: courses, crafts, sports, debates, chess, theatre, literature, songs… life was throbbing after we’d lived through the worst nightmares. To go back to them was always a possibility, so much so that some of us did have to go back to the DINA's torture centres. »
[...]
« That month in the summer of 1975, not so far off, the Viña del Mar Song Festival was taking place. Our prison camp, resembling a coastal village, decided to follow suit. That was how the prisoners organised the Ritoque Song Festival. My family had sent me a guitar. Improvising, I came across a few chords that sounded good to me, and I used them to create a melody. It was starting material. Armando, a medical student who was a good guitarist, contributed arpeggios and musical phrases with a nod to jazz. Manuel chipped in on his recorder with an arrangement that sounded interesting. Pedro, who was very experienced in percussion on his bongo, provided the rhythm. Jaime wrote the lyrics of the song. At length, he and I produced the vocals. »
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Recinto: Subcomisaría de Carabineros, Pedro de Valdivia
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