Cantos Cautivos
166 results where found for «Words for Julia»
- Music piece by:José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
- Testimony by:Amelia Negrón
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
- Tags:
- « There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
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- « Words for Julia (Palabras para Julia) »
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- Music piece by:Joan Manuel Serrat
- Testimony by:Beatriz Bataszew Contreras
- Experience in:Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
- Tags:
- « Tres Álamos was a more 'normal' camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. »
- [...]
- « Although it’s completely different, ‘Palabras para Julia’ (Words for Julia) also says that there is a future, in spite of the current circumstances. »
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- Music piece by:Federico García Lorca (words), Paco Ibáñez (music)
- Testimony by:Luis Alfredo Muñoz González
- Experience in:Campamento de Prisioneros Cuatro Álamos, February - March 1975
- Tags:
- « According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
- [...]
- « Federico García Lorca (words), Paco Ibáñez (music) »
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- Music piece by:Patricio Manns
- Testimony by:Renato Alvarado
- Experience in:
- Tags:
- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the
Council of Elders . »- [...]
- « that through many swords »
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- Music piece by:Violeta Parra
- Testimony by:Claudio Enrique Durán Pardo (Kila Chico)
- Experience in:
- Tags:
- « We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
- [...]
- « must words flourish, »
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Prayer So You Don't Forget Me (Oración para que no me olvides)
- Music piece by:Óscar Castro (words) and Ariel Arancibia González (music)
- Testimony by:Rosalía Martínez
- Experience in:Campamento de Prisioneros Cuatro Álamos, November - December 1974
- Tags:
- « When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
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- « Óscar Castro (words) and Ariel Arancibia González (music) »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
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- « words of a new language »
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- Music piece by:Miguel Bosé
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
- Tags:
- « I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
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- « the sweet vibrations of your words »
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- Music piece by:Patricio Manns
- Testimony by:Fernando Aravena
- Experience in:Cárcel de Santiago, 1989
- Tags:
- « The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
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- « that through many swords »
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- Music piece by:Violeta Parra
- Testimony by:Felipe Chiang Martínez
- Experience in:Regimiento de Infantería Motorizada Nº 23, Copiapó, October-December 1973
- « I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the