145 results where found for «Words for Julia»


Words for Julia (Palabras para Julia)

Author:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Place & date:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976 until Tres Álamos was closed on 28 November 1976
« There were so many of us women prisoners. Despite the circumstances we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. One might think we were ambitious women, and yes, we certainly were. Most of us remain so, and surely will continue to be until the end. »
[...]
« Words for Julia (Palabras para Julia) »
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Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« ‘Candombe para José’ was very important. The line ‘ánimo Negro José’ (‘go for it, Negro José’) was a bit like saying ‘it will go away, there are always other possibilities’. I feel it was an encouraging song and also a way of showing each other affection. Although it’s completely different, ‘Palabras para Julia’ (Words for Julia) also says that there is a future, in spite of the current circumstances. ‘Ode to Joy’ was extremely important. It suggests that there are going to be changes, that our situation is not going to last forever. »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Author:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Place & date:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. Perhaps this explains why even after our bodies have been destroyed down to the bone marrow, when nothing is left of us but the murky eyes of death, music and song appear. »
[...]
« Federico García Lorca (words), Paco Ibáñez (music) »
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The Prisoner of Til Til (El cautivo de Til Til)

Author:
Patricio Manns
Testimony by:
Renato Alvarado
« I arrived at Tres Álamos on the eve of the departure for Mexico of a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. At 28 years of age, I found this title odd but also understandable, in light of the social esteem with which all tribes regard their healers. This tale has its origins there, as does a famous doctors’ strike, but that is another story. »
[...]
« that through many swords »
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To Sing by Improvising (Pa’ cantar de un improviso)

Author:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« must words flourish, »
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Prayer So You Don't Forget Me

Author:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Place & date:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. I had spent most of my detention held by the DINA secret police, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos, and spent just a month in the Tres Álamos concentration camp. »
[...]
« Óscar Castro (words) and Ariel Arancibia González (music) »
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Beloved Friend (Amado amigo)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song, written in my cell at the Puchuncaví Prison Camp, speaks to a friend and fellow prisoner; it could be any one of the thousands behind bars. »
[...]
« words of a new language »
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Friend (Amiga)

Author:
Miguel Bosé
Testimony by:
Carolina Videla
Place & date:
« When they arrested me I was 19 years old. I was one of the youngest political prisoners at the time in Arica. »
[...]
« the sweet vibrations of your words »
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The Prisoner of Til Til (El cautivo de Til Til)

Author:
Patricio Manns
Testimony by:
Fernando Aravena
Place & date:
« The political prisoners organised mate-drinking gatherings once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« that through many swords »
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National Anthem of Chile

Author:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The flag was raised in the morning and taken down in the afternoon. In other words, the ceremony was repeated twice a day. »
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