35 results where found for «Luis Alfredo Muñoz González»


South-Eastern Storm (La Sudestada)

Author:
unknown
Testimony by:
Luis Alfredo Muñoz González
Place & date:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the "dinos" (members of the DINA secret police) had filled with prisoners. At the end of the day, these comrades organised quite a "jamboree": talking, sharing information, asking questions and singing. It was a frenetic activity of solidarity, support, courage and warmth. »
[...]
« Luis Alfredo Muñoz González »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Author:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Place & date:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. Perhaps this explains why even after our bodies have been destroyed down to the bone marrow, when nothing is left of us but the murky eyes of death, music and song appear. »
[...]
« Luis Alfredo Muñoz González »
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Lucky Devil (El suertúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed at Chacabuco some time between November 1973 and February 1974, and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« The group Los de Chacabuco was created and conducted by Ángel Parra. Its members (in alphabetical order) were: Víctor Canto, Manuel Castro, Ángel Cereceda Parra (Ángel Parra), Luis Cifuentes, Marcelo Concha, Luis Corvalán Márquez, Antonio González, Manuel Ipinza, Ernesto Parra, Julio Vega and Ricardo Yocelewski. »
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A Cocky Fellow (El puntúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« "Los de Chacabuco" was founded and directed by Ángel Parra. Its members were: Víctor Canto, Ángel Cereceda Parra (Ángel Parra), Luis Cifuentes, Marcelo Concha, Luis Corvalán Márquez, Antonio González, Manuel Ipinza, Ernesto Parra, Julio Vega and Ricardo Yocelewski. »
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Prayer So You Don't Forget Me

Author:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Place & date:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. I had spent most of my detention held by the DINA secret police, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos, and spent just a month in the Tres Álamos concentration camp. »
[...]
« Óscar Castro (words) and Ariel Arancibia González (music) »
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Melody by Jorge Peña Hen

Author:
Jorge Peña Hen
Testimony by:
Eliseo González
Place & date:
Cárcel de la Serena, October 1973
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« Eliseo González »
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Partisan Anthem (Himno guerrillero)

Author:
Unknown. Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on "Makhnovtchina", attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Place & date:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
[...]
« Rojas, Alfredo »
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For the Guy Who's Leaving

Author:
Alfredo Zitarrosa
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November – April 1974
« Marcelo Concha Bascuñán, member of the Los de Chacabuco band, was a young man of great charisma and personal skills. He had been a swimming champion, and was an outstanding guitarist and singer. »
[...]
« Alfredo Zitarrosa »
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The Paper Boat (El barco de papel)

Author:
Julio Numhauser, popularised by the band Amerindios.
Testimony by:
Carlos Muñoz
Place & date:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« Carlos Muñoz »
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Coplas of El Yopo (Coplas de El Yopo)

Author:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Place & date:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘chopo’), as is usual in popular culture. The tune was well-known in Chile, as sung by Ángel and Isabel Parra, who called it "Décimas del folklore venezolano" or "Coplas Venezolanas". It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
[...]
« Carlos Muñoz »
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