Cantos Cautivos
350 results where found for «#Music as cruel, inhuman or degrading treatment»
- Music piece by:unknown
- Testimony by:Patricio Polanco
- Experience in:Campamento de Prisioneros de Pisagua, November 1973
- Tags:
- « In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
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- Music piece by:Hans Leip
- Testimony by:Renato Alvarado Vidal
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, May - Octobre 1975
- Tags:
- « During the daily flag-lowering ritual in the camp Melinka, the prisoners first had to get into formation in the courtyard and then walk in line to the location of the mast. »
- [...]
- « I was just giving the mother the last treatment instructions when I heard the column marching. »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:Joaquín Real Hermosilla
- Experience in:
- Tags:
- « Some 30 leaders and activists from the Popular Unity parties were arrested in Coyhaique and confined in Las Bandurrias, fifteen kilometres from the city, in a compound used as a veterinary clinic for horses. »
- [...]
- « Among the many tortures, mistreatments and humiliations, we were forced to sing along to the vinyl records that the agents had seized from Radio Mañihuales, near Puerto Aysén. »
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- Music piece by:Víctor Jara
- Testimony by:Pedro Mella Contreras
- Experience in:Cárcel de Valdivia / Cárcel de Isla Teja, 1988-1989
- Tags:
- « When they took me out to physiotherapy treatment, I sang some verses of the song ‘The Apparition’ loudly: »
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Cantata Our Great Mother (Cantata Nuestra Madre Grande) - Towards the Light (Hacia la luz)
- Music piece by:Manuel Luis Rodríguez Uribe (lyrics), Fernando Lanfranco Leverton (music), Marco Antonio Barticevic Sapunar (notation)
- Testimony by:Fernando Lanfranco Leverton
- Experience in:Campamento de Prisioneros Isla Dawson, December 1973; Cárcel de Punta Arenas, September 1975
- Tags:
- « Most of us, political prisoners from the Magallanes region, were transferred to the detention and torture camp on Dawson Island on 21 December 1973. We came from the more than twenty detention, torture and interrogation centres of the civil-military dictatorship in the Magallanes region. »
- [...]
- « Despite precarious conditions and permanent mistreatment, we were able to create beauty, stay united, alert and in solidarity. In those circumstances, Manuel, another political prisoner, wrote the texts of the Cantata Nuestra Madre Grande and gave them to me with the aim of creating the musical work. »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
- [...]
- « nor one as cruel, sinister, ugly and vain »
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- Music piece by:Sergio Vesely
- Testimony by:Renato Alvarado Vidal
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, May - October 1975
- Tags:
- « During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
- [...]
- « nor one as cruel, sinister, ugly and vain »
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- Music piece by:attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January – February 1974
- Tags:
- « This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
- [...]
- « attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra. »
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- Music piece by:Tito Fernández
- Testimony by:Servando Becerra Poblete
- Experience in:Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
- Tags:
- « I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
- [...]
- « because I was more grown-up »
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- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:Cárcel de Valparaíso, 1976