453 results where found for «El soldado»


The Soldier (El soldado)

Music piece by:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. »
[...]
« The Soldier (El soldado) »
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The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« Another prisoner sang "El soldado", a poem by Rafael Alberti set to music by Ángel Parra. »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
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Lucky Devil (El suertúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« Concha, Marcelo »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« Concha, Marcelo »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)

Music piece by:
Juan Vásquez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
[...]
« Concha, Marcelo »
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Sufferings (Dolencias)

Music piece by:
Víctor Valencia Nieto
Testimony by:
Domingo Chávez Navarro
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - April 1974
« Marcelo Concha Bascuñán sang this song, which many of us liked. I personally knew Marcelo and we were both released from prison at the same time. I left the country, whereas Marcelo stayed in Chile. The DINA picked him up and since then he is one of so many disappeared people. »
[...]
« Concha, Marcelo »
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For the Guy Who's Leaving

Music piece by:
Alfredo Zitarrosa
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – April 1974
« Marcelo Concha Bascuñán, a member of the Los de Chacabuco band, was a young man of great charisma and personal skills. He had been a swimming champion and was an outstanding guitarist and singer. »
[...]
« Concha, Marcelo »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« Agreeing to a suggestion from Ricardo, Los de Chacabuco learned and arranged this tune. In the Andean high plateau, the tune is a satirical reference to lawyers and, by implication, to civil servants. It is performed at carnival time. »
[...]
« Concha, Marcelo »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« Videla, Lumi »
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