26 results where found for «Oh Saving Victim»

Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Detention in:
Cárcel de Santiago, November 1973 - April 1974
Tags:
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« Oh Saving Victim (O salutaris Hostia) »
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The Crux of the Matter (La madre del cordero)

Music piece by:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Detention in:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
Tags:
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« in fist and whip oh shit. »
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Three Mountaineers (Eran tres alpinos)

Music piece by:
Unknown. Traditional Spanish children's song
Testimony by:
María Cecilia Marchant Rubilar
Detention in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We adapted this song and produced a play based on it. Each of us played one of the characters. We spent a lot of time on this. »
[...]
« Oh, good mountaineer, give me those lovely flowers »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Detention in:
Cárcel de Concepción / Cárcel El Manzano, December 1974
Tags:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« oh, deep in my heart, (I know that) I do believe »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
Detention in:
Recinto CNI, Cuartel Central Borgoño, 1980
Tags:
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[...]
« oh yes, yes, yes. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
David Quintana García
Detention in:
Intendencia de Rancagua, 1973
Tags:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« oh yes, yes, yes. »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
Tags:
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« A dry Martini, oh yes »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November – December 1973
Tags:
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
[...]
« You alone, oh Lord, You alone. »
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They Say the Homeland Is - Soldiers

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Detention in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« Oh, I won’t shoot, no »
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Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Detention in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
[...]
« Oh, negrito, negrito. »
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