29 results where found for «Oh Saving Victim»
- Music piece by:text by Saint Thomas Aquinas; music by Lorenzo Perosi
- Testimony by:Roberto Navarrete
- Experience in:Cárcel de Santiago, November 1973 - April 1974
- Tags:
- « The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
- [...]
- « Oh Saving Victim (O salutaris Hostia) »
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- Music piece by:poem by Francisco Pezoa Astudillo set to music by Quilapayún
- Testimony by:Renato Alvarado
- Experience in:Campamento de Prisioneros Cuatro Álamos, February 1975
- Tags:
- « The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
- [...]
- « Blessed victims who came down »
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- Music piece by:Tito Fernández
- Testimony by:Servando Becerra Poblete
- Experience in:Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
- Tags:
- « I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
- [...]
- « in fist and whip oh shit. »
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- Music piece by:Unknown. Traditional Spanish children's song
- Testimony by:María Cecilia Marchant Rubilar
- Experience in:Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
- Tags:
- « We adapted this song and produced a play based on it. Each of us played one of the characters. We spent a lot of time on this. »
- [...]
- « Oh, good mountaineer, give me those lovely flowers »
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- Music piece by:Attributed to Charles Albert Tindley
- Testimony by:Alfonso Padilla Silva
- Experience in:Cárcel de Concepción / Cárcel El Manzano, December 1974
- Tags:
- « When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
- [...]
- « oh, deep in my heart, (I know that) I do believe »
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- Music piece by:Violeta Parra
- Testimony by:Gabriela Durand
- Experience in:
- Tags:
- « I was 18, and already I had been tortured on the
parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »- [...]
- « oh yes, yes, yes. »
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- Music piece by:Violeta Parra
- Testimony by:David Quintana García
- Experience in:Intendencia de Rancagua, 1973
- Tags:
- « I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
- [...]
- « oh yes, yes, yes. »
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- Music piece by:Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This
cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »- [...]
- « A dry Martini, oh yes »
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- Music piece by:Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November – December 1973
- Tags:
- « As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
- [...]
- « You alone, oh Lord, You alone. »
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- Music piece by:Chicho Sánchez Ferlosio
- Testimony by:Sergio Reyes Soto
- Experience in:Campamento de Prisioneros Isla Dawson, 1973 - 1974
- Tags:
- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.
Rolando Alarcón , and laterQuilapayún , introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »- [...]
- « Oh, I won’t shoot, no »
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- « This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom.
- « This
- « I was 18, and already I had been tortured on the