12 results where found for «Roberto Navarrete»


Oh Saving Victim (O salutaris Hostia)

Music piece by:
text by Saint Thomas Aquinas; music by Lorenzo Perosi
Testimony by:
Roberto Navarrete
Detention in:
Cárcel de Santiago, November 1973 - April 1974
« The political prisoners’ cell block in Santiago Prison was established when they transferred many people from the National Stadium in October or November 1973. »
[...]
« Roberto Navarrete »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Detention in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« Ernesto Parra Navarrete »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music) »
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Lucky Devil (El suertúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Detention in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music) »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Paicavi Painemal
Detention in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
« that Roberto has done »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« that Roberto has done »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Detention in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« Roberto Ternán »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Alejandro Olate
« The youngest among us, aged 17 or even 16 years, did the heaviest work on Dawson Island. We had to fell trees, cut them, split them in two, cut them into wedges, and walk the several hundred meters back to the barracks carrying the logs on our shoulders. »
[...]
« Roberto Ternán »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Amelia Negrón
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
« Roberto Ternán »
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The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« Roberto Cantoral »
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