912 results where found for «El baile de los que sobran»

The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1986
Tags:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« The Dance of Those Left Behind (El baile de los que sobran) »
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Lucky Devil (El suertúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
Tags:
« This cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« The group Los de Chacabuco was created and conducted by Ángel Parra. Its members (in alphabetical order) were: Víctor Canto, Manuel Castro, Ángel Cereceda Parra (Ángel Parra), Luis Cifuentes, Marcelo Concha, Luis Corvalán Márquez, Antonio González, Manuel Ipinza, Ernesto Parra, Julio Vega and Ricardo Yocelewski. »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
Campamento de Prisioneros, Tres Álamos, September 1976
Tags:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« I still remember those intense moments when we sang so many songs. Gazing up at the sky, we sang 'Candombe para José', which we called 'El Negro José'. I understood that song as something new and different from the songs we usually sang. It seemed more contemporary to me and it made me feel in touch with my people outside the camp. The line 'en un pueblo olvidado no sé por qué' ('in a God-forsaken town, I don't know why') seemed connected with how I was feeling at that time. »
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Captive Quena (Quena cautiva)

Music piece by:
Claudio Durán Pardo
Testimony by:
Claudio Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
Tags:
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
«  Traditional song and dance genre developed in the Andean regions of Peru and commonly associated with Quechua communities. »
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Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
Tags:
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« Meanwhile, we continued in the middle of the belly of the beast, embroidering and singing our song that later, much later, became our anthem: 'Otros esperan que resistas, que les ayude tu alegría, que les ayude tu canción, entre sus canciones. Nunca te entregues, ni te apartes, junto al camino, nunca digas no puedo más y aquí me quedo, y aquí me quedo' (Others expect you to resist, that your joy helps them, that your song helps them among their songs. Never give in or turn away, stay on the path, never say I can’t go on anymore, and here I stay, here I stay). »
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Caliche

Music piece by:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
Tags:
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song called "Caliche". It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed 'Augusto the Dog', who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
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Coplas of El Yopo (Coplas de El Yopo)

Music piece by:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 - 1976
Tags:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘Chopo’), as is usual in popular culture. »
[...]
« The song was well-known in Chile, as sung by Ángel and Isabel Parra, who called it 'Décimas del folklore venezolano' or 'Coplas Venezolanas'. It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
Tags:
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« We celebrated Christmas 1973 with comrades who played the guitar and with members of a band called Toque de Queda (Curfew) who were in prison for a month. »
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Recinto: Cárcel de Mujeres Buen Pastor de Iquique
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