79 results where found for «Hoy canto por cantar»

Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« Why does the afternoon cry (Por qué llora la tarde) »
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Under my Skin (A flor de piel)

Music piece by:
Julio Iglesias
Testimony by:
Carmen Espinoza Alegría
Experience in:
Colonia Dignidad, April 1975
Tags:
« I’m from Talca. I met César, my comrade, my love, in 1971 or 1972, approximately. We were young idealists, we were members of Juventudes Comunistas, and were student leaders in our secondary schools. »
[...]
« over things of no importance »
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Under my Skin (A flor de piel)

Music piece by:
Julio Iglesias
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
Tags:
« At the beginning of the 1970s, I met Carmen, my comrade, my love, at the Juventudes Comunistas of Talca. We had the life of young idealists, sharing our everyday, living this revolutionary process so beautifully. »
[...]
« over things of no importance »
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Trim the Sails (Brazas a ceñir)

Music piece by:
Luis Mella Toro
Testimony by:
César Montiel
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs. »
[...]
« a port to anchor. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, March 1975
Tags:
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« We also had other sporadic participants: dogs of the town of Puchuncaví who often came to the camp to eat the leftovers and were friendly with the prisoners. »
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The Soldier (El soldado)

Music piece by:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
Experience in:
Campamento Prisioneros Estadio Regional, 25 December 1973
Tags:
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. »
[...]
« Father Camilo Vial, who was later appointed bishop, was an important champion of the political prisoners’ rights given the horrible conditions we were in, and he gave us an excellent Spanish guitar. »
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The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
Campamento Prisioneros Estadio Regional, 25 December 1973
Tags:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« The concentration camp officials allowed us to celebrate Christmas in the sports arena. To be precise, we were in one corner of the playing field and we used the pole vault pit as a stage. »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
Tags:
« I want to recall a night at Villa Grimaldi. »
[...]
«  Argentine singer-songwriter and one of the most important figures in the Nueva Canción movement. »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
Recinto DINA, José Domingo Cañas Nº 1367, September 1974
Tags:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« They began dragging him, and as they passed our room, Rosalía began to quietly sing 'Por llanuras y montañas...' ('Through valleys and over hills'). It was a way to speak to him and to try to give him strength; to tell him we were there and that we were accompanying him. In a sense, it was really his song. We had sung it together many times. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
Tags:
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« We have learned to coexist with these sorrows, but sometimes they are unleashed with the kind of outburst I was feeling at that moment, exploding through my pores, spilling out irrepressibly, because those sorrows by their nature represent him, in their essence. »
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