72 results where found for «Pagarás (El humo del cigarrillo)»


You Will Pay (The Cigarette Smoke) (Pagarás [El humo del cigarrillo])

Author:
Manuel Mantilla
Testimony by:
Fernando Aravena
Place & date:
« The political prisoners were isolated but when they made us go down to the courtyard, we were with the common prisoners. They listened to the song ‘El humo del cigarillo’ on the radio. That is the first song I remember from the period during which I was imprisoned. »
[...]
« Pagarás (El humo del cigarrillo) »
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The Soldier (El soldado)

Author:
Rafael Alberti (lyrics), Ángel Parra (music)
Testimony by:
Alfonso Padilla Silva
« During Christmas 1973, approximately 660 men and 100 women were held as prisoners in the Concepción Regional Stadium. Concentration camp officials allowed us to celebrate Christmas on the pitch. We were in a corner of the pitch and we used the pole vault pit as a stage. Two professional radio broadcasters were excellent masters of ceremony, combining veiled messages with other more candid ones, all with a hefty dose of humour and good taste. They also recited poems. »
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The Little Cigarette (El cigarrito)

Author:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. The concentration camp officials allowed us to celebrate Christmas in the sports arena. To be precise, we were in one corner of the playing field and we used the pole vault pit as a stage. »
[...]
« Two professional radio broadcasters were excellent masters of ceremony, mixing covert messages with other more overt ones, all with a good dose of humour and good taste. They also recited poems. »
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Melody by Jorge Peña Hen

Author:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Place & date:
Cárcel de la Serena, October 1973
« “Look here, Maria Fedora. I’ve brought you a treasure...” - it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. Peering over the staircase banister, I saw him raise his right hand with something clenched inside. He was just back from a quick trip to La Serena, and I was spending my holidays in Chile. I had travelled home to show the family my beautiful baby girl, María Paz, my first child born in Caracas. »
[...]
« The knot in my throat tightened again, as I felt the big tears running down my cheeks. The diminutive crotchets, quavers and minims run up and down the stave. It’s a posthumous composition!  In the most bitter moments of his life, he had the nobility to do what he loved doing above all else! »
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Return, Return, Return (Volver, volver, volver)

Author:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo Peñaloza sang tangos, including “Volver” (Return) by Gardel and Le Pera. This caused a lot of self-ironic laughter when he sang  “que veinte años no es nada” (twenty years is nothing) given our situation of uncertainty in which no one knew how long we’d be imprisoned. He also sang it during a farewell party for a group of comrades who were going to be released. To think of returning was tragicomic. And yet, four decades later, we returned. Of our own free will. »
[...]
« Back then, when he performed on the prison camp stage, he sang it mischievously and a sense of dark humour. This was expressed not only because of the real possibility of returning to the prison, but also by the gestures he made when singing “Voy camino a la locura y aunque todo me tortura…” (I’m on the road to madness and still everything tortures me...). »
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Partisan Anthem (Himno guerrillero)

Author:
Unknown. Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on "Makhnovtchina", attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Place & date:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
[...]
« Videla, Lumi »
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Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« Augusto the dog (not to be confused with the journalist Augusto Olivares, affectionately nicknamed "Augusto the Dog", who was murdered in the Presidential Palace on 11 September 1973), was the mascot of the political prisoners held at the Ritoque concentration camp, and accompanied his master when the military junta decided to close that prison and transfer the inmates to the neighbouring Puchuncaví concentration camp. »
[...]
« Lament for the Death of Augusto the Dog (Lamento a la muerte del perro Augusto) »
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The Crux of the Matter (La madre del cordero)

Author:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Place & date:
Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
[...]
« The Crux of the Matter (La madre del cordero) »
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How Can I Describe This to You? (Cómo hacer para darte una idea)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« This is one of two songs I wrote in prison for my beloved Graciela Navarro. In the song I tried to draw her closer to me, describing my everyday world and my experience of life as a captive. »
[...]
« and the delirium, the delirium that climbs »
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An Old Love Tune (Tonada del viejo amor)

Author:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba* by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« An Old Love Tune (Tonada del viejo amor) »
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