397 results where found for «Que la tortilla se vuelva»

You Can Blame Me (Échame a mí la culpa)

Music piece by:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
Experience in:
Campamento de Prisioneros Cuatro Álamos, June 1975
Tags:
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[Read full testimony]

To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
Experience in:
Recinto CNI, Cuartel Central Borgoño, 1980
Tags:
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[Read full testimony]

Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin America’s indigenous cultures and their extermination under Iberian domination. »
[Read full testimony]

Song of a Middle-Class Man (Canción de un hombre medio)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Cárcel de Valparaíso, 1976
Tags:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
[Read full testimony]

A Finger-Picked Cueca from a Solidary Companion (Cueca punteada de un solidario)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. »
[...]
« If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only a few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[Read full testimony]

King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« 'Ñaca-ñaca' was an interjection we used at Camp Melinka whenever we wanted to signal and poke fun at any dark thought that might cross our minds. That may be why it seemed the ideal name to give to the paper maché puppet that played the role of the mean king in the puppet stories we performed to entertain the children who came to visit their captive fathers. »
[...]
« Ñaca-Ñaca  - the puppet - in his role as mean king, was certainly a third-class king, a dictator who enjoyed ridiculing his prisoners. These were none other than Cinturón de Lana (Woollen Belt), Anillo de Metal (Metal Ring), Huesito (Little Bone) and Caballito de Mar (Seahorse). These were all allegorical figures that had great meaning for us as prime examples of the handicraft that came from the hands of our fellow prisoners. »
[Read full testimony]

The Rain is Falling (Scende la pioggia)

Music piece by:
The Turtles ('Elenore'), with new lyrics by Gianni Morandi
Testimony by:
Eduardo René Cuevas
Experience in:
Cárcel de Los Ángeles, September 1973
Tags:
« This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
[...]
« For me, a prisoner from (the city of) Laja who walked with a cane, it represented a glimmer of hope and being able to say I am still alive, after twice being threatened with death on the very 11 September 1973. »
[Read full testimony]

Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Alejandro Olate
Experience in:
Campamento de Prisioneros Isla Dawson, 1974
Tags:
« The youngest among us, aged 17 or even 16 years, did the heaviest work on Dawson Island. We had to fell trees, cut them, split them in two, cut them into wedges, and walk the several hundred meters back to the barracks carrying the logs on our shoulders. »
[Read full testimony]

Go Tell It to the Rain (Ve y díselo a la lluvia)

Music piece by:
Clan 91
Testimony by:
Eduardo Ojeda
Experience in:
Campamento de Prisioneros Isla Dawson, 1973
Tags:
« We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
[...]
« He said to Trauco, me and someone else whose name I don’t remember, 'Guys, I play, I sing, and you do the backing vocals'. We sang 'ooooh': those were our backing vocals. »
[Read full testimony]

Prayer So You Don't Forget Me (Oración para que no me olvides)

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
Campamento de Prisioneros Cuatro Álamos, November - December 1974
Tags:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« As is widely known, many of the musical activities took place in prisons, in the concentration camps and in those places where prisoners were publicly acknowledged as such. »
[Read full testimony]