204 results where found for «You Hear It Far Away»


Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
« They said that once you got to the prison of Teja Island, you were safe. »
[...]
« I also identified with 'Te recuerdo Amanda' (I Remember You Amanda) by Victor Jara. It is a very beautiful song. »
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Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« The situation was very strange and unpredictable; for the innocent minds of young children, as we were at the time, it was also a moment of great joy because finally we could be with our father in 'freedom' once again, and pamper ourselves in the house of a supportive family, where we stayed until we could find another place. »
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To Be Seventeen Again (Volver a los diecisiete)

Music piece by:
Violeta Parra
Testimony by:
Gabriela Durand
« I was 18, and already I had been tortured on the parrilla several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. »
[...]
« The guys used to put the radio on, playing popular tunes of the time. For us young people, the songs were a bit corny, but still, we enjoyed them, they were a relief. We always kept absolute silence. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Eduardo Ojeda
Experience in:
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. »
[...]
« We also had to learn the anthems of the Cochrane and Telecommunications regiments. The infantrymen would say, 'here's the anthem, you have until the afternoon to learn it by heart'. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Renato Alvarado
« I arrived at Tres Álamos on the eve of the departure for Mexico with a large group of prisoners. The group included Dr. Ipinza, who before leaving entrusted me with the job of physician, the medicine donated by the Red Cross, and his position in the Council of Elders. »
[...]
« Unfortunately, one of the spies planted among the political prisoners snitched to authorities about this whole operation. A few hours later, Pulento, Toluca and yours truly were brought before Conrado Pacheco, the Military Commander of Tres Álamos. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
[...]
« My parents couldn’t come every time we were allowed visitors because they lived in Santiago. My friends would say, 'Cecilia, laugh at anything when you’re with your parents. Later, when they leave, ask the nun to open your cell and howl into your pillow, but as long as your parents are here, you have to act fine.' And that's what we all tried to do. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Music piece by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
« People always want to listen to these traditional cuecas. Figure of eight, turn around, you necessarily have to dance the cueca like that, it's so rigid and that doesn’t work for me. »
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Three Mountaineers (Eran tres alpinos)

Music piece by:
Unknown. Traditional Spanish children's song
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We adapted this song and produced a play based on it. Each of us played one of the characters. We spent a lot of time on this. »
[...]
« You never lose hope when you are in prison. We knew that we would get out at some point. I think none of the women had been charged with any crime that may justify their arrest. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
Eliseo González
Experience in:
Cárcel de la Serena, October 1973
« Jorge Peña Hen was in solitary confinement that day. I don’t know how, but someone brought him matches. With his saliva, he made ink from the phosphorus tips, which he then used to write a score of music on a scrap of paper. »
[...]
« That is known as resilience, and it refers to the capacity to raise yourself up from a bad situation. »
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Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« I see memory as an exercise to give new meanings to the past. As the years go by you give it a different meaning or understand it differently. »
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