Cantos Cautivos
405 results where found for «Que la tortilla se vuelva»
- Music piece by:Chicho Sánchez Ferlosio. Popularized by Quilapayún
- Testimony by:Claudio Melgarejo
- Experience in:Comisaría de Concepción, November 1973
- Tags:
- « I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
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- « May the Omelette Flip Over (Que la tortilla se vuelva) »
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- Music piece by:Violeta Parra
- Testimony by:Felipe Chiang Martínez
- Experience in:Regimiento de Infantería Motorizada Nº 23, Copiapó, October-December 1973
- Tags:
- « I was born in Vallenar, but I have lived in Copiapó practically all my life. At the age of 18, I started working in the mines and also began my political activity. »
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- « In the Regiment, when we listened to the programme ‘Escucha Chile’ (Listen Chile) on Radio Moscow, we also sometimes heard‘Arriba en la cordillera’ (Up in the Mountains) by Patricio Manns, ‘Venceremos’ (We Shall Prevail) and ‘Que la tortilla se vuelva’ (May the Omelette Flip Over) by Quilapayún, and other songs that were sung during the Spanish Civil War. »
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- Music piece by:Tito Fernández
- Testimony by:Servando Becerra Poblete
- Experience in:Campamento de Prisioneros Chacabuco, 9 November 1973 - 10 November 1974
- Tags:
- « I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning the nickname of “Venancio” from my fellow prisoners. »
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- « They scraped the tortillas »
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- Music piece by:attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra.
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, January – February 1974
- Tags:
- « This is the last track on the cassette recorded by the band Los de Chacabuco in the concentration camp; it was digitised in 2015. »
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- « attributed to Gilberto Rojas Enríquez (Bolivia), Manuel Casazola Huancco (Perú), and the Andean oral tradition. Popularised in Chile by Violeta Parra and her children Isabel and Ángel Parra. »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
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- « The Man Who Transformed into an Animal (El hombre que se convirtió en animal) »
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- Music piece by:Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
- Testimony by:Eduardo René Cuevas
- Experience in:Regimiento de Infantería Reforzada Nº 3, Los Ángeles (nowadays Regimiento de Infantería Nº 17), October - November 1973
- Tags:
- « This song was used while the Military Intelligence Service (SIM) subjected me to cruel torture at a clandestine torture centre in the southern Chilean city of Los Ángeles. »
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- « Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji'). »
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- Music piece by:Liborio Bórquez Guzmán, popularised by Héctor Pavez
- Testimony by:Rubén Torres Ávila
- Experience in:
- Tags:
- « When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
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- « Liborio Bórquez Guzmán, popularised by Héctor Pavez »
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- Music piece by:Attributed to Charles Albert Tindley
- Testimony by:Alfonso Padilla Silva
- Experience in:Cárcel de Concepción / Cárcel El Manzano, December 1974
- Tags:
- « When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
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- « Work about the 1907 massacre of miners in the city of Iquique (Northern Chile). Composed by Luis Advis in 1969 and recorded by Quilapayún in 1970. »
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- Music piece by:Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
- Testimony by:Víctor Canto Fuenzalida
- Experience in:Campamento de Prisioneros Chacabuco, June 1974
- Tags:
- « Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
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- Music piece by:Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This
cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »- [...]
- « This cueca was secretly recorded at Chacabuco by Alberto Corvalán Castillo, son of the Communist Party secretary-general Luis Corvalán, with assistance from Guillermo Orrego and Domingo Chávez. Alberto was to die in Bulgaria as a consequence of the torture to which he had been subjected at the National Stadium’s velodrome that caused him irreparable heart damage. »
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- « This