67 results where found for «Cueca del Filistoque»


Filistoque's Cueca (Cueca del Filistoque)

Author:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Place & date:
« Filistoque is a real-life person in all his considerable height (1.90 metres tall). I remember him always laughing. In Chacabuco, we shared a house for nearly ten months. Around him you were never allowed to become depressed or get into a stew over our situation. »
[...]
« Filistoque's Cueca (Cueca del Filistoque) »
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The Crux of the Matter (La madre del cordero)

Author:
Tito Fernández
Testimony by:
Servando Becerra Poblete
Place & date:
Campamento de Prisioneros Chacabuco, from 9 November 1973 to 10 November 1974
« I recited this poem in the National Stadium. I continued to do so in the Chacabuco prison camp, earning from my fellow prisoners the nickname of “Venancio”. »
[...]
« by the sound of the cuecas. »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[...]
« A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario) »
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Caliche

Author:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song. It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
[...]
« A northern cueca, Caliche, »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Author:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularized by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed; and another theatre that was inside the concentration camp. At the latter venue, every Sunday night at about 8 o’clock, a show was performed with the sole participation of the political prisoners and in the presence of the camp’s guards, and at the express invitation of the Council of Elders, a body that represented the comrades in captivity. »
[...]
« to dance cueca again? »
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Lucky Devil (El suertúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973- February 1974
« This cueca* was composed at Chacabuco some time between November 1973 and February 1974, and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« * Cueca: a lively dance genre in 6/8 or 3/4 time, usually for voice(s) and accompaniment, and suitable for couple dancing with a predetermined choreography. »
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A Cocky Fellow (El puntúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« (*) Cueca: a lively dance genre in 6/8 or 3/4 time, usually for voice(s) and instrumental accompaniment, and suitable for couple dancing with a predetermined choreography. »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Author:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This song* recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. That afternoon of  September 11, 1973, I was at school correcting some music tests. After a while I heard a very loud bang on the door and went to open it at once. It was the police. »
[...]
« * Tonada is a lively Chilean genre with some traits akin to cueca. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Author:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Place & date:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We sang songs that were popular at the time. We’d sing "What will the Holy Father say," especially the part that says "What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove..." quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. We would also sing "La golondrina" (The swallow), which was very symbolic, because even though we were imprisoned we could "fly", our thoughts soaring beyond the prison walls... »
[...]
« * Cueca : a lively dance genre in 6/8 or ¾ time, usually for voice(s) and accompaniment, and suitable for couple dancing with a predetermined choreography. Cueca chora is a sub-type, connected to the underworld. »
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Partisan's Anthem (Himno guerrillero)

Author:
Unknown. Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on "Makhnovtchina", attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Place & date:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
[...]
« Videla, Lumi »
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