892 results where found for «Después de la guerra»


To Be Seventeen Again (Volver a los diecisiete)

Author:
Violeta Parra
Testimony by:
David Quintana García
Place & date:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« Is like deciphering signs without wisdom or competence, »
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A Cocky Fellow (El puntúo)

Author:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca* was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« let's try a bit harder »
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An Old Love Tune (Tonada del viejo amor)

Author:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba* by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« under the midday sun »
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Christmas Oratorio According to St. Luke (Oratorio de Navidad según San Lucas)

Author:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« This is the first song on the cassette recorded at the Chacabuco camp by the band Los de Chacabuco, created by Ángel Parra and conducted by him until his release. At the time that the cassette was recorded, Ángel had been freed and Ernesto Parra had become the group’s conductor. »
[...]
« Christmas Oratorio According to St. Luke (Oratorio de Navidad según San Lucas) »
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The Brief Space Where You Are Absent (El breve espacio en que no estás)

Author:
Pablo Milanés
Testimony by:
Vilma Rojas Toledo
Place & date:
Cárcel de Coronel, 1986 - 1988
« I recall that during my time as a political prisoner Pablo Milanés was one of our greatest companions. His songs filled us with life, helped us to keep breathing and living behind the bars imposed by Pinochet’s military dictatorship. Personally, I remember the song “El breve espacio en que no estás” (“The brief space where you are absent”) because it sparked such heated debate among my comrades that you would think we were trying to resolve a vital political issue. »
[...]
« its smells already fill my solitude »
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You Can Blame Me (Échame a mí la culpa)

Author:
José Ángel Espinoza, aka Ferrusquillo
Testimony by:
Marcia Scantlebury
« Mexican songs - and this one in particular - have always moved me. When I shared a cell with Miriam Silva, a young woman who belonged to the Communist Youth, arrested by the DINA when she was handing out leaflets on the street, we killed time in an organised fashion to keep ourselves from getting depressed and overcome by anxiety due to an unknown fate. »
[...]
« Reasons abound for me to despise you »
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Amalia Rosa

Author:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, known as joropo*, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
[...]
« From Maracaibo departed »
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Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« There isn't anything dearer »
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Return, Return, Return (Volver, volver, volver)

Author:
Vicente Fernández
Testimony by:
Jorge Montealegre Iturra
« At the Chacabucan artistic shows, Hugo Peñaloza sang tangos, including “Volver” (Return) by Gardel and Le Pera. This caused a lot of self-ironic laughter when he sang  “que veinte años no es nada” (twenty years is nothing) given our situation of uncertainty in which no one knew how long we’d be imprisoned. He also sang it during a farewell party for a group of comrades who were going to be released. To think of returning was tragicomic. And yet, four decades later, we returned. Of our own free will. »
[...]
« Vicente Fernández »
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Filistoque's Cueca (Cueca del Filistoque)

Author:
Víctor Canto Fuenzalida (lyrics), Efraín Navarro (music)
Testimony by:
Víctor Canto Fuenzalida
Place & date:
« Filistoque is a real-life person in all his mighty height (1.90 metres tall). I always remember him laughing. In Chacabuco, we shared a house for nearly ten months. Around him, you were never allowed to become depressed or get into a stew over our situation. »
[...]
« and by mere coincidence »
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