336 results where found for «Himno a la alegría»
Music piece by:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
The Man Who Transformed into an Animal (El hombre que se convirtió en animal)
Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
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Go Tell It to the Rain (Ve y díselo a la lluvia)
Music piece by:
Clan 91
Testimony by:
Eduardo Ojeda
Experience in:
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Love Song for a Disappeared Woman (Canción de amor a una desaparecida)
Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
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The Great Gigi L’amoroso (Gigi el amoroso)
Music piece by:
Jacqueline Misrahi, Lana Sebastian and Paul Sebastian. Popularised by Dalida in various languages: Italian ('Gigi L’amoroso'), Spanish ('Gigi el amoroso'), French ('Gigi l'amour'), English ('The Great Gigi l’amoroso'), German ('Gigi der Geliebte') and Japanese ('Ai suru Jiji').
Testimony by:
Eduardo René Cuevas
Experience in:
Regimiento de Infantería Reforzada Nº 3, Los Ángeles (nowadays Regimiento de Infantería Nº 17), October - November 1973
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With the Sprouts I Sowed (Y con brotes de mi siembra)
Music piece by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
Experience in:
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After the War (Después de la guerra)
Music piece by:
Sandro
Testimony by:
Nelly Andrade Alcaino
Experience in:
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Run Run Went up North (Run Run se fue pa'l norte)
Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
Campamento de Prisioneros, Estadio Nacional, 9 November 1973
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Why does the afternoon cry (Por qué llora la tarde)
Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
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Song to the Pampa (Canto a la pampa)
Music piece by:
poem by Francisco Pezoa Astudillo set to music by Quilapayún
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Cuatro Álamos, February 1975
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