155 results where found for «After the War»


After the War (Después de la guerra)

Music piece by:
Sandro
Testimony by:
Nelly Andrade Alcaino
« The military officials in charge of the Tejas Verdes camp made us sing. They gave us just one day to select the songs and rehearse. »
[...]
« After the War (Después de la guerra) »
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Valparaíso

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« This song was written and sung in cell number 198 of Valparaíso’s former prison, that is to say, on the top floor of the main building, which was higher than the walls that surrounded it. »
[...]
« timid lights, afterwards a silence. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« The process began by assembling the prisoners. On the camp’s central square, the commander and some of the soldiers would take roll call. Afterwards, we were marched to the camp entrance, singing military songs such as 'Lili Marlene' in unison (yes, indeed, the same one sung by the Nazi armies, but with the lyrics translated into Spanish). »
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Errant Wind (Viento errante)

Music piece by:
Patricio Hermosilla Vives
Testimony by:
Patricio Hermosilla Vives
Experience in:
« Finally, in the Chacabuco Concentration Camp, after three days aboard the Policarpo Toro (a war ship which had an uncertain destination since sailing from Valparaíso in December 1973; the question was not when and where we would dock, but how we would fall overboard), I felt that death had decided to take a step back and watch from me from a little further away. »
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South-Eastern Storm (La Sudestada)

Music piece by:
Poni Micharvegas
Testimony by:
Luis Alfredo Muñoz González
Experience in:
« While I was in solitary confinement in Cuatro Álamos, one day I noticed there was a large room at the end of the corridor, which, overnight, the dinos had filled with prisoners. »
[...]
« When I became a recognised prisoner and was allowed to talk to other prisoners, I tried to find the comrade behind the song, but no one knew of his whereabouts. Some time afterwards someone told me that his name was Horacio Carabantes, and he was from Valparaíso. »
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Three White Lilies (Tres blancos lirios)

Music piece by:
Unknown composer. This song probably relates to European early-years pedagogy.
Testimony by:
Domingo Lizama
Experience in:
« They arrested me at my workplace in October 1973 . I was 31 years old and worked as a porter at a logging business in Chumpullo, near Valdivia. »
[...]
« The warden liked the choir a lot. Afterwards, he wanted the choir to sing for some official ceremony or event to receive authorities. We refused to sing for those purposes. »
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Luchín

Music piece by:
Víctor Jara
Testimony by:
anonymous
Experience in:
« They said that once you got to the prison of Teja Island, you were safe. »
[...]
« We were flabbergasted when the snake began rising: we had only seen it in movies. Afterwards, we realised that the snake was attached to a black string, which a mate was pulling from his berth. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Eduardo Ojeda
Experience in:
« We arrived at Dawson Island on the afternoon of 11 September. All we knew was that we had been arrested in the morning - nothing else. »
[...]
« At six o'clock in the afternoon, they lined us up to sing the National Anthem. We became aware of singing from the prisoners on the other side, the ones who had just arrived from Santiago. You could hear male voices. It wasn't the women. »
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La Adelita

Music piece by:
Unknown
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January – February 1974
« This is another song that was performed by the band Los de Chacabuco and was sung in the prisoners’ weekly show. It’s a very old Mexican song that was popular in Chile. »
[...]
« And after the cruel battle ended »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Music piece by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
[...]
« after the crowd like a wild beast. »
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