225 results where found for «Ni chicha ni limoná»


Neither Fish nor Fowl (Ni chicha ni limoná)

Song by:
Víctor Jara
Testimony by:
Joaquín Vallejos
Experience in:
« I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. My friend had nothing to do with politics; he just wanted peace and freedom. He was a hippie and very committed to helping those in need. The two of us were held in the Silva Palma barracks, but the interrogations and torture sessions were at the Naval War Academy in Valparaíso. »
[...]
« Neither Fish nor Fowl (Ni chicha ni limoná) »
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With the Sprouts I Sowed (Y con brotes de mi siembra)

Song by:
Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularized by Los Moros and Jorge Yáñez.
Testimony by:
Guillermo Orrego Valdebenito
« In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed; and another theatre that was inside the concentration camp. At the latter venue, every Sunday night at about 8 o’clock, a show was performed with the sole participation of the political prisoners and in the presence of the camp’s guards, and at the express invitation of the Council of Elders, a body that represented the comrades in captivity. »
[...]
« drank black chicha »
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Morning Has Broken

Song by:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Experience in:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. As transistor radios were quite small, many people were arrested with one of these in their pockets, and a significant number were not searched and confiscated by the military. This explains why, when we were in the National Stadium, we were able to listen to them, keep track of the news and listen to music. »
[...]
« Morning has broken like the first morning »
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A Cocky Fellow (El puntúo)

Song by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca(1) was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« (5) The prisoners organised, with the authorisation of the military, a pulpería, that is a shop where some essential items could be sold. This was possible because the receipt of money transfers in the camp was authorised. The military themselves made purchases in Antofagasta and transported them to the camp, thus obtaining a profit. »
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Lili Marlene

Song by:
Hans Leip
Testimony by:
Rogelio Felipe Castillo Acevedo
« We were forced to belt out these marching songs. There was a comrade who had a limp and wore a platform shoe. When we marched his limp would throw us out of step, and then the marines would give us a good kicking. When they realised what was causing our lack of coordination, they left that comrade out of the marches. »
[...]
« every evening she was burning »
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The Letter (La carta)

Song by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. From what I remember, he was a music teacher and they allowed him to keep the instrument. In the band we also played the bombo and the charango. I accompanied by singing. »
[...]
« All nine are communists »
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The Letter (La carta)

Song by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« When solitary confinement was lifted in January 1987 and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« All nine are communists »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Song by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
[...]
« The Man Who Transformed into an Animal (El hombre que se convirtió en animal) »
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Friend (Amiga)

Song by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« When they arrested me I was 19 years old. I was one of the youngest political prisoners at the time in Arica. »
[...]
« If I was night, it was because of your night that wanted it »
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Lili Marlene

Song by:
Hans Leip
Testimony by:
Renato Alvarado Vidal
Experience in:
« During the daily flag-lowering ritual in the camp Melinka, the prisoners first had to get into formation in the courtyard and then walk in line to the location of the mast. »
[...]
« every evening she was burning »
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