Cantos Cautivos
239 results where found for «Ni chicha ni limoná»
- Music piece by:Víctor Jara
- Testimony by:Joaquín Vallejos
- Experience in:Academia de Guerra Naval, January 1974
- Tags:
- « I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. »
- [...]
- « Neither Fish nor Fowl (Ni chicha ni limoná) »
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- Music piece by:Andrés Rivanera (lyrics) and Eugenio Moglia (music). Popularised by Los Moros and Jorge Yáñez.
- Testimony by:Guillermo Orrego Valdebenito
- Experience in:
- Tags:
- « In Chacabuco there were two theatres: one that was very beautiful and was linked to the old saltpetre works, where it is claimed (wrongly as it happens) that Caruso once performed, and another theatre that was inside the concentration camp. »
- [...]
- « drank black chicha »
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- Music piece by:Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros, Estadio Nacional, September - November 1973
- Tags:
- « At the time of the coup in 1973, this song was world-famous and frequently played on the radio. »
- [...]
- « Morning has broken like the first morning »
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- Music piece by:Spanish version of 'Makhnovtchina', attributed to Ukranian anarchist Nestor Makhno, based on anonymous Russian melody.
- Testimony by:Julio Laks Feller
- Experience in:Recinto DINA, José Domingo Cañas Nº 1367, September 1974
- Tags:
- « In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
- [...]
- « Spanish version of 'Makhnovtchina', attributed to Ukranian anarchist Nestor Makhno, based on anonymous Russian melody. »
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- Music piece by:Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November 1973 - February 1974
- Tags:
- « This
cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »- [...]
- « The prisoners organised, with the authorisation of the military, a pulpería, that is a shop where some essential items could be sold. This was possible because the receipt of money transfers in the camp was authorised. The military themselves made purchases in Antofagasta and transported them to the camp, thus obtaining a profit. »
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- Music piece by:Hans Leip
- Testimony by:Rogelio Felipe Castillo Acevedo
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, November 1974
- Tags:
- « We were forced to belt out these marching songs. »
- [...]
- « every evening she was burning »
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- Music piece by:Violeta Parra
- Testimony by:Paicavi Painemal
- Experience in:Cárcel de Temuco, 1985
- Tags:
- « We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
- [...]
- « all nine are communists »
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- Music piece by:Violeta Parra
- Testimony by:Pedro Mella Contreras
- Experience in:
- Tags:
- « In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
- [...]
- « all nine are communists »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
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- « The Man Who Transformed into an Animal (El hombre que se convirtió en animal) »
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- Music piece by:Miguel Bosé
- Testimony by:Carolina Videla
- Experience in:Cárcel Pública de Arica, January 1989
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