122 results where found for «Ana María Arenas»


The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« Ana María Arenas »
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Zamba so as Not to Die (Zamba para no morir)

Music piece by:
Hamlet Lima Quintana
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« I want to recall a night at Villa Grimaldi. »
[...]
« Ana María Jiménez »
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The Internationale

Music piece by:
Eugène Pottier (lyrics) and Pierre Degeyter (music). Popularised by Quilapayún in Chile in the 1970s.
Testimony by:
Ana María Jiménez
Experience in:
Villa Grimaldi, April 1975
« In April 1975, the triumph of Vietnam was celebrated. We heard about it through a comrade who went to the bathroom and found a piece of the week’s newspaper. It was so beautiful for us to be there, having shouted so often for Vietnam at demonstrations. »
[...]
« Ana María Jiménez »
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Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
[...]
« María gave me a ribbon »
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Cantata Santa María de Iquique - Prelude

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
« Cantata Santa María de Iquique - Prelude »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« These performances were divided in two parts, each lasting around 40 minutes. In one we presented the Cantata of Santa María de Iquique, but that's another story. »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« Few of us from that group survived. But the voices of Lumi Videla, María Cristina López-Stewart, Aldo and Carlos Pérez Vargas, the brothers Jorge Andrónicos Antequera  and Juan Carlos Andrónicos Antequera, Antonio Llidó, Ariel Salinas, Cecilia Bojanic and her husband Flavio Oyarzún, Francisco Aedo, Mario Calderón, Alfredo Rojas Castañeda, José Jara, Manuel Villalobos, and David Silberman continue to echo in our memory. »
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Melody by Jorge Peña Hen

Music piece by:
Jorge Peña Hen
Testimony by:
María Fedora Peña
Experience in:
Cárcel de la Serena, October 1973
« 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
[...]
« María Fedora Peña »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« I tried to raise my voice to the infinite space way beyond the edge of the barrack roof that reminded me of my limitations. Amelia put her arm around my shoulder. I did the same to Tuca and all of us embraced each other, singing from the tabletop. We were so close together, and a sense of sisterhood enveloped us. I was not alone; I was with those women who were my sisters. We had survived so much brutality and suffering. I sang with all my might on top of the table with those dear women: Amelia, Tuca, Anita, Anita María, Elena, Gabriela, Nieves, Cristina, Fidelia, Cecilia and another friend whose name I have forgotten. »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« Mrs María, who was the president of the parents' association, and the authority to give me instructions, said, 'If he doesn’t want to speak, Captain, make him'. »
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