444 results where found for «The Rain is Falling»


Alfonsina and the Sea (Alfonsina y el mar)

Author:
Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
Testimony by:
Sergio Vesely
Place & date:
Villa Grimaldi, January 1975
« It was not easy to endure being locked up in one of Villa Grimaldi’s miserable cells that resembled vertical coffins. It was even harderin the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
[...]
« the song that is sung »
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To Be Seventeen Again (Volver a los diecisiete)

Author:
Violeta Parra
Testimony by:
Gabriela Durand
« I was 18, and already I had been tortured on the rack several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. They used to put the radio on, playing popular tunes of the time. For us young people, the songs were a bit corny, but still we enjoyed them; they were a relief. We always kept absolute silence. »
[...]
« even the fierce animal whispers its sweet trill, »
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To Be Seventeen Again (Volver a los diecisiete)

Author:
Violeta Parra
Testimony by:
David Quintana García
Place & date:
« I spent 45 days in the torture centre of Intendencia de Rancagua. Previously, I was detained with my brothers in the headquarters of the Cuartel de Investigaciones de Rancagua. »
[...]
« even the fierce animal whispers its sweet trill, »
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Creole Mass – Gloria (Misa criolla - Gloria)

Author:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, November – December 1973
« As far as I remember (and there may be other versions) the "Los de Chacabuco" band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. Our first musical presentation was the Creole Mass by Ariel Ramírez. »
[...]
« You alone are the Highest Jesus Christ, »
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Lucía

Author:
Joan Manuel Serrat
Testimony by:
Beatriz Bataszew Contreras
Place & date:
Campamento de Prisioneros, Tres Álamos, December 1974 - May 1976
« Tres Álamos was a more “normal” camp, even though we never had a trial. There was a lot of music, it was sort of ritualistic. There were days when we put more enthusiasm into it, on Saturdays or Sundays after the visits, although I’m not all that sure. »
[...]
« There is nothing lovelier »
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A finger-picked Cueca from a solidary companion (Cueca punteada de un solidario)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« It is true that the hard experience of torture and prison unified us and at times even generated strong ties of friendship among the prisoners. But, if we are being honest, we have to say that it was not all friendship and solidarity among the political prisoners. The left-wing political parties continued their ideological struggles inside the prisons, and, at worst, helped to deteriorate the already foul atmosphere of captivity. If the political constellation of the inmates was explosive, life inside a cell could become a psychological torment as bad or worse than the physical torture. Sectarianism and mistrust were common, and there were only few people with whom one could talk about personal issues, without fearing that the whole party would know about it the next day. Weaknesses were not tolerated. »
[...]
« The human being is asleep, »
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They Say the Homeland Is - Soldier's Song

Author:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Place & date:
« This song, like so many others, was not at all “captive”. The revolutionary songs we sang behind bars imbued us with a sense of freedom. Rolando Alarcón, and later Quilapayún, introduced “Dicen que la patria es” (or “Canción de soldados”) to Chile. »
[...]
« They say the homeland is »
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Coplas of El Yopo (Coplas de El Yopo)

Author:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Place & date:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of ‘El Yopo’ (also ‘chopo’), as is usual in popular culture. The tune was well-known in Chile, as sung by Ángel and Isabel Parra, who called it "Décimas del folklore venezolano" or "Coplas Venezolanas". It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
[...]
« when they disappeared »
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Dreams of my Imprisonment (Sueños de mi encierro)

Author:
Mario Patricio Cordero Cedraschi
Testimony by:
Mario Patricio Cordero Cedraschi
Place & date:
Cárcel de Valparaíso, Winter of 1975
« I’d spent two years in prison and there was no end in sight for my time in jail. I observed during visiting hours that many prisoners had children, a wife, family; in my case, however, having been arrested so young and just turned 19, I felt a growing concern that I’d die without bearing children, and never experience this wonderful human feeling. »
[...]
« they wake me up on this dark night, »
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We Shall Prevail (Venceremos)

Author:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Place & date:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. “I’ll lend it to you” he said. Discreetly I began to learn “Venceremos”, “La Internacional”, the National Anthem and the Anthem of the Police. They made us all learn the Anthem of the Police and I knew it from my dad, who was an officer. »
[...]
« the popular clamour rises up »
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