448 results where found for «Zamba so as Not to Die»


An Old Love Tune (Tonada del viejo amor)

Music piece by:
Eduardo Falú and Jaime Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« The Los de Chacabuco band, created and conducted by Ángel Parra, performed this zamba by Eduardo Falú and Jaime Davalos at the camp’s weekly shows. »
[...]
« This song can be found on the secret recording made of the farewell show organised for Ángel by Alberto Corvalan. It is called 'Zamba argentina' on the vinyl record released in Italy and on the CD released in Chile. »
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Errant Wind (Viento errante)

Music piece by:
Patricio Hermosilla Vives
Testimony by:
Patricio Hermosilla Vives
Experience in:
« Finally, in the Chacabuco Concentration Camp, after three days aboard the Policarpo Toro (a war ship which had an uncertain destination since sailing from Valparaíso in December 1973; the question was not when and where we would dock, but how we would fall overboard), I felt that death had decided to take a step back and watch from me from a little further away. »
[...]
« 'Viento Errante ('Errant wind') (composed towards the end of that year during the improvised 'literary workshop' in which Salas, Montealegre, another prisoner and myself, tried to divert the raw pain of those hours, exploring some possible forms of 'existential meaning'), a song more unconscious than conscious, which attempted from its inception to idealise freedom in the shape of a woman without a defined face or name although, on the other hand, she embodied all the roles of a woman: mother, daughter, sister, girlfriend. »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« The next day, another group of prisoners arrived. They told us that Salvador Allende had died. We paid tribute to him around a bonfire. It was deeply meaningful. »
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Prayer So You Don

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. »
[...]
« Since I used to sleep with her curled up in a 'spoon' at the head of the bed – while another person slept at the foot - I sometimes felt the slight movements and small kicks of the baby she was carrying against my back. These brief moments of life passing between entwined bodies are some of the most powerful experiences I have ever had. »
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Song of a Middle-Class Man (Canción de un hombre medio)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« In our political discussions, we always spoke disdainfully of the middle class. In the view of the Marxist ideologues in prison, that sector of society supported the dictatorship and it was necessary to reverse that trend. »
[...]
« A bunch of soldiers arrived »
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Priests and Soldiers (Curas y milicos)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I don’t want to exaggerate but Camp Melinka became not only a factory that produced handicrafts and a performance hall but also a university. »
[...]
« Soldiers will come »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« a soldier is the captain »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
[...]
« a soldier is the captain »
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Saint Gregory’s Tonada (Tonada San Gregorio)

Music piece by:
Pedro Humire Loredo
Testimony by:
Pedro Humire Loredo
« This tonada recalls the horrible situation I was subjected to in the cells of the police station in the San Gregorio district in southern Santiago. »
[...]
« four cowardly soldiers »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« to see so many angry soldiers »
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