Cantos Cautivos
896 results where found for «#Pieza musical de Puerto Rico»
- Music piece by:Violeta Parra
- Testimony by:Claudio Enrique Durán Pardo (Kila Chico)
- Experience in:
- Tags:
- « We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
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- « Latin American string instrument of the guitar family. National instrument of Venezuela and Puerto Rico. »
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Recinto: Capitanía de Puerto, Chañaral- There are no testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
Recinto: Cárcel de Puerto Montt / Cárcel de Chin Chin- There are no testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
Recinto: Cárcel de Puerto Natales- There are no testimonies about this detention centre.
- If you had a musical experience about this detention centre, please share it here!
Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos)
- Music piece by:Sergio Vesely
- Testimony by:Sergio Vesely
- Experience in:
- Tags:
- « At Puchuncaví Detention Camp (Melinka) I shared a cell with an elderly man from Lota, where he had spent his entire life working in the coal mines. »
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- « Musicalized Dialogue between Two Old Prisoners (Diálogo musicalizado entre dos ancianos presos) »
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- Music piece by:Eusebio Lillo and Ramón Carnicer
- Testimony by:Boris Chornik Aberbuch
- Experience in:Campamento de Prisioneros Melinka, Puchuncaví, March 1975
- Tags:
- « The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
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- « One of the dogs, that seemed to have a good ear and musicality, joined us in the song, although not in unison. His howl could be heard between stanzas: »
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I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)
- Music piece by:Facundo Cabral, with lyrics modified by a political prisoner
- Testimony by:Alfonso Padilla Silva
- Experience in:Campamento Prisioneros Estadio Regional, 25 December 1973
- Tags:
- « The choir of male prisoners sang a piece called 'A mi compañera' (To my comrade, my love) to the music of 'No soy de aquí, ni soy de allá' (I'm not from here, nor from there) by Facundo Cabral. »
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- « Traditional musical genre and dance from Argentina. »
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- Music piece by:Jorge Peña Hen
- Testimony by:María Fedora Peña
- Experience in:Cárcel de la Serena, October 1973
- Tags:
- « 'Look here, Maria Fedora. I’ve brought you a treasure', it was the voice of my brother Juan Cristián as he crossed the doorway of our mother’s house one morning in January 1983. »
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- « I took the tiny piece of paper that had been meticulously folded, on which one could make out snippets of musical staves and some notes. Without opening it, I brought the paper to my nose. Closing my eyes, I breathed in deeply, and I felt my father’s scent permeate my soul. »
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- Music piece by:Julio Numhauser, popularised by the band Amerindios
- Testimony by:Carlos Muñoz
- Experience in:Campamento de Prisioneros, Tres Álamos, 1975 - 1976
- Tags:
- « One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
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- « The musical group Caliche, based in Birmingham (England) frequently sang this song at Chile solidarity events during the 1980s. »
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- Music piece by:Ariel Ramírez
- Testimony by:Luis Cifuentes Seves
- Experience in:Campamento de Prisioneros Chacabuco, November – December 1973
- Tags:
- « As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
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- « Our first musical presentation was the Creole Mass by Ariel Ramírez. We sang this version until it was replaced by one of Ángel’s compositions written in Chacabuco. »
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