881 results where found for «Campamento de Prisioneros Chacabuco»


Run Run Went up North (Run Run se fue pa'l norte)

Song by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run ... On the big pitch, mild summer weather was in the air. But for us, aching from the torture, hungry, haggard, stinking, tattered, tired of our uncertain future, all we longed for was a breath of energy that would allow us to feel that we were still alive and that the feelings of our absent loving partners were present. »
[...]
« Campamento de Prisioneros, Estadio Nacional »
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National Anthem of Chile

Song by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Boris Chornik Aberbuch
« The Puchuncaví detention camp’s daily routine included mandatory participation in the ceremonies of raising and taking down the Chilean flag on the flagpole at the entrance to the camp. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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How We Resemble Each Other (En qué nos parecemos)

Song by:
Unknown. Popularised by Quilapayún
Testimony by:
Luis Cifuentes Seves
Experience in:
« During the 1960s the band Quilapayún popularised this old Spanish song in Chile. Víctor Canto and I performed it as a duet in Santiago’s National Stadium - which had been converted into a concentration, torture and extermination camp - from September to November 1973. Whenever the military allowed us to do so, we would sing it in the locker rooms where we slept, and in the grandstands where we spent much of the day. »
[...]
« Campamento de Prisioneros, Estadio Nacional »
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Answer Me

Song by:
Gerhard Winkler and Fred Rauch. English lyrics by Carl Sigman. Recorded by Frankie Laine.
Testimony by:
Luis Cifuentes Seves
Experience in:
« I sang this song alone in the National Stadium dressing rooms where I was held from September to November of 1973. This happened when the soldiers allowed artistic performances to take place in the converted dressing rooms while we waited our turn to be interrogated or after returning from interrogations. These were often torture sessions. »
[...]
« Campamento de Prisioneros, Estadio Nacional »
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To Sing by Improvising (Pa’ cantar de un improviso)

Song by:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« Campamento de Prisioneros Melinka, Puchuncaví »
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Candombe for José (Candombe para José)

Song by:
Roberto Ternán
Testimony by:
Sara De Witt
Experience in:
« We were in Tres Álamos barracks in September 1976. I don’t recall how many of us women were imprisoned there. I believe there were close to a hundred of us. »
[...]
« Campamento de Prisioneros, Tres Álamos »
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Ode to Joy (Himno a la alegría)

Song by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. I’m not sure whether it was our idea or whether the men had proposed it. That detail is irrelevant now. »
[...]
« Campamento de Prisioneros, Tres Álamos »
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Futuristic Anthem (Himno futurista)

Song by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« Campamento de Prisioneros de Pisagua »
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Captive Quena (Quena cautiva)

Song by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena (Andean flute) when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. Five years later, aged 14, I had already become the quena player of a quartet in ​​San Antonio. »
[...]
« Campamento de Prisioneros, Tres Álamos »
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After the War (Después de la guerra)

Song by:
Sandro
Testimony by:
Nelly Andrade Alcaino
« The military officials in charge of the Tejas Verdes camp made us sing, and they gave us just one day to select the songs and rehearse. »
[...]
« Regimiento de Ingenieros de Tejas Verdes / Campamento de Prisioneros Nº 2 de la Escuela Militar de Ingenieros. »
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