9 results where found for «Claudio Enrique Dur��n Pardo»

Captive Quena (Quena cautiva)

Music piece by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
Tags:
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
« Claudio Enrique Durán Pardo (aka Quique Cruz) »
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To Sing by Improvising (Pa’ cantar de un improviso)

Music piece by:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (Kila Chico)
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, June 1975
Tags:
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« Claudio Enrique Durán Pardo (Kila Chico) »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
Tags:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. 'I'll lend it to you' he said. »
[...]
« Claudio Iturra (lyrics) and Sergio Ortega (music) »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
« Claudio Iturra (lyrics) and Sergio Ortega (music) »
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Why does the afternoon cry (Por qué llora la tarde)

Music piece by:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, January 1989
Tags:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of 'lack of evidence', after a year and a half in prison. »
[...]
« Antônio Marcos. Popularised in Chile by Claudio Reyes »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Music piece by:
Chicho Sánchez Ferlosio. Popularized by Quilapayún
Testimony by:
Claudio Melgarejo
Experience in:
Comisaría de Concepción, November 1973
Tags:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were 'Venceremos' (We Shall be Victorious) and 'Que la tortilla se vuelva' (May the Omelette Flip Over), also known as 'The Tomato Song', which portrays the bosses' exploitation of the workers. »
[...]
« Claudio Melgarejo »
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Partisan Anthem (Himno guerrillero)

Music piece by:
anonymous Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on 'Makhnovtchina', attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Experience in:
Recinto DINA, José Domingo Cañas Nº 1367, September 1974
Tags:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. »
[...]
« Enríquez, Miguel »
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Poet of Destiny (Poeta del destino)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
Anexo Cárcel Capuchinos, 1976
Tags:
« This song is a tribute to Miguel Enríquez, Secretary-General of the MIR, who was gunned down by a commando of the dictatorship’s secret police on 5 October 1974. »
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The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1986
Tags:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« I was already listening to the 'Nuestro Canto' programme presented by Miguel Davagnino on Radio Chilena in 1976. From 1986 I listened to the music dissident to the dictatorship on Radio Umbral, played by the late Pedro Henríquez. This was the radio panorama that allowed us to hear the voices and sounds of resistance. »
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