10 results where found for «Claudio Enrique Durán Pardo»


Captive Quena (Quena cautiva)

Author:
Claudio Enrique Durán Pardo (aka Quique Cruz)
Testimony by:
Claudio Enrique Durán Pardo
Place & date:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena (Andean flute) when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. Five years later, aged 14, I had already become the quena player of a quartet in ​​San Antonio. »
[...]
« Claudio Enrique Durán Pardo (aka Quique Cruz) »
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To Sing by Improvising (Pa’ cantar de un improviso)

Author:
Violeta Parra
Testimony by:
Claudio Enrique Durán Pardo (aka Quique Cruz)
« We made a Venezuelan cuatro from a large plank of wood attached to one of the walls of the "ranch" where we ate. »
[...]
« Claudio Enrique Durán Pardo (aka Quique Cruz) »
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Partisan Anthem (Himno guerrillero)

Author:
Unknown. Russian melody. During the Russian Revolution, several lyrics with different ideological content circulated. This version is based on "Makhnovtchina", attributed to Nestor Makhno, Ukrainian anarchist revolutionary.
Testimony by:
Julio Laks Feller
Place & date:
« In late September 1974, the Soviet partisan’s song was intoned softly but with an awe-inspiring force in the José Domingo Cañas torture centre. Our comrade and beloved friend Sergio Pérez Molina, leader of the MIR who had fallen into the hands of the DINA a few days earlier, was being tortured again. We had already seen him disfigured by the blows; they had even applied electricity to a bullet wound when they shot him at the time of his arrest. Moren Brito boasted that he had run a pick-up truck over Sergio’s body. »
[...]
« Enríquez, Miguel »
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Poet of Destiny (Poeta del destino)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
Place & date:
« This song is a tribute to Miguel Enríquez, Secretary General of the Movement of the Revolutionary Left (MIR), who was gunned down by a commando of the dictatorship’s secret police on 5 October 1974. My own five-year militancy in that organisation resulted in my enormous respect for this individual. »
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We Shall Prevail (Venceremos)

Author:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
Lucía Chirinos
Place & date:
« The parish priest at Buen Pastor played the accordion. He played so beautifully. Because I played the piano, I asked him if I could borrow it. “I’ll lend it to you” he said. Discreetly I began to learn “Venceremos”, “La Internacional”, the National Anthem and the Anthem of the Police. They made us all learn the Anthem of the Police and I knew it from my dad, who was an officer. »
[...]
« Claudio Iturra (lyrics) and Sergio Ortega (music) »
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We Shall Prevail (Venceremos)

Author:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Place & date:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde (The Rebel) newspaper by train, in order to distribute them in parts of Region IV. »
[...]
« Claudio Iturra (lyrics) and Sergio Ortega (music) »
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Why does the afternoon cry (Por qué llora la tarde)

Author:
Antônio Marcos. Popularised in Chile by Claudio Reyes
Testimony by:
Carolina Videla
Place & date:
« My prison term happened during the last year of the dictatorship after the No vote won. I was set free because of “lack of evidence”, after a year and a half in prison. »
[...]
« Antônio Marcos. Popularised in Chile by Claudio Reyes »
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May the Omelette Flip Over (Que la tortilla se vuelva)

Author:
Chicho Sánchez Ferlosio. Ppopularized by Quilapayún
Testimony by:
Claudio Melgarejo
Place & date:
« I spent a week in captivity, in November 1973. I didn’t hear many songs, but the most popular ones sung by my comrades were "Venceremos" (We shall be victorious) and “Que la tortilla se vuelva” (May the omelette flip over), also known as "The tomato song", which portrays the bosses' exploitation of the workers. At that time, the young in Latin American were steeped in revolutionary change and we empathised with the situation around Che Guevara and Cuba. »
[...]
« Claudio Melgarejo »
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To Be Seventeen Again (Volver a los diecisiete)

Author:
Violeta Parra
Testimony by:
Gabriela Durand
« I was 18, and already I had been tortured on the rack several times. One day I was with some other comrade prisoners, and as sometimes happened, the guards put some music on. They used to put the radio on, playing popular tunes of the time. For us young people, the songs were a bit corny, but still we enjoyed them; they were a relief. We always kept absolute silence. »
[...]
« Gabriela Durand »
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Prayer So You Don't Forget Me

Author:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Place & date:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didn’t have much to say. I had spent most of my detention held by the DINA secret police, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos, and spent just a month in the Tres Álamos concentration camp. »
[...]
« For those reading this who do not know about Cuatro Álamos, I can tell you that it was a transitory camp under the command of Orlando Manzo Durán, an officer on the prison service, and that it was run by the DINA. The rooms were small, very tiny, about nine square meters, each with two bunk beds, and we would be kept in these rooms 24 hours a day. »
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