888 results where found for «Coplas de El Yopo»


The Paper Boat (El barco de papel)

Author:
Julio Numhauser, popularised by the band Amerindios.
Testimony by:
Carlos Muñoz
Place & date:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« The Paper Boat (El barco de papel) »
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The Paper Boat (El barco de papel)

Author:
Julio Numhauser, popularised by the band Amerindios.
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
[...]
« The Paper Boat (El barco de papel) »
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Morning Has Broken

Author:
Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon
Testimony by:
Luis Cifuentes Seves
Place & date:
« At the time of the coup in 1973, this song was world-famous and frequently played on the radio. As transistor radios were quite small, many people were arrested with one of these in their pockets, and a significant number were not searched and confiscated by the military. This explains why, when we were in the National Stadium, we were able to listen to them, keep track of the news and listen to music. »
[...]
« Cat Stevens, based on a traditional Gaelic hymn; lyrics by Eleanor Farjeon »
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Love (Amor)

Author:
Sergio Vesely (music); Guillermo Núñez (lyrics)
Testimony by:
Sergio Vesely
« This song is based on a poem Guillermo wrote in the Puchuncaví Prison Camp dedicated to his partner Soledad. Of all the songs I composed as a prisoner, this is the only one where the lyrics are not mine. The reason is very human and simple. One day Guillermo asked me if I could set to music verses he had written so he could sing them to his beloved the next time she visited him. I found the idea so original and I liked it so much that I decided to help him. I took the sheet of paper with the poem to my cell in one of the adjacent huts. After reading and re-reading it several times, I began to compose this song. It’s a shame, but I don’t recall if Soledad ever got a chance to hear it. »
[...]
« Sergio Vesely (music); Guillermo Núñez (lyrics) »
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I’m Not from Here - To my Comrade, my Love (No soy de aquí - A mi compañera)

Author:
Facundo Cabral, with lyrics modified by a political prisoner
Testimony by:
Alfonso Padilla Silva
« The choir of male prisoners sang a piece called “A mi compañera” (To my comrade, my love) to the music of “No soy de aquí, ni soy de allá” (I'm not from here, nor from there) by Facundo Cabral. I don’t remember who wrote the lyrics. But that’s how I wrote it down in one of the ten notebooks I used to copy songs during my imprisonment. »
[...]
« your loneliness that wishes to flee. »
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Three Mountaineers (Eran tres alpinos)

Author:
Unknown. Traditional Spanish children's song
Testimony by:
María Cecilia Marchant Rubilar
Place & date:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
« We adapted this song and produced a play based on it. Each of us played one of the characters. We spent a lot of time on this. We performed the play to the other women prisoners in both centres within the prison: Regina Coellys and Alborada. Alborada was a section of Buen Pastor but it was not part of the prison facility. Alborada housed women political prisoners too. »
[...]
« Oh, good mountaineer, give me those lovely flowers »
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We Shall Overcome

Author:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. On 19 February of that year, a trial process began before a military tribunal and seven or eight comrades including myself were transferred to the prison. »
[...]
« Oh, deep in my heart, (I know that) I do believe, »
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The Black King (El rey negro)

Author:
Sergio Vesely
Testimony by:
Sergio Vesely
« One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
[...]
« Sergio Vesely »
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Sinner, come to sweet Jesus (Pecador, ven al dulce Jesús)

Author:
Unknown
Testimony by:
anónimo
Place & date:
« One time a group of male and female evangelicals came to Teja Island to preach. They were taken to the visitors’ yard. Because we prisoners had nothing else to do, we went to see them. »
[...]
« If ailing you feel that you are dying »
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Chacabuco Mass (Misa chacabucana)

Author:
Ángel Parra and Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Place & date:
Campamento de Prisioneros Chacabuco, January - February 1974
« This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
[...]
« Ángel Parra and Ariel Ramírez »
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